Your draft is an ugly baby.
Face it–writing is messy and that first attempt to communicate the dazzling story in your head is not the same as what ends up on the page. Just like not all babies are born looking like a Disney Princess, your first draft is not going to read like Louis L’Amour or Stephen King. Forget being named the next Shakespeare at the end of November.
Ugly babies and first drafts grow up, and like the duckling that became a swan, your first-draft will become a second, third, fourth, fifth or whatever it takes to reach beauty. Think of edits as growing pains. It’s worth the effort in the end. But first you have to have a baby. You need that first draft.
So the point is, don’t fret over your ugly baby. Don’t drag people to the crib and ask them to tell you how gorgeous it is. Expect a dismayed look or two. After all, it doesn’t make you love your baby less. It’s your baby. Give it tender loving care to grow and mature. Today, write and ignore any negative feedback. Don’t ever let that stop you. This is just a phase.
Thought for Day Six:
“One thing that helps is to give myself permission to write badly. I tell myself that I’m going to do my five or 10 pages no matter what, and that I can always tear them up the following morning if I want. I’ll have lost nothing—writing and tearing up five pages would leave me no further behind than if I took the day off.”
~Lawrence Block, June 1981
Except don’t tear it up just because it’s an ugly baby. Give it time to grow. Go and write some more. This month is about the writing, not winning a beauty contest.
Day Six: 1,897 words
Excerpt From Rock Creek:
Wild Bill Hickok-McCanles Affair of Rock Creek, NE 1861
“…our honest opinion is that the real facts never will be known.”
~ F.J. Elliot to George Hansen Nov. 26, 1938
“Mrs. De Vald! I know you are in there!”
Sarah ignored the rapping and the yelling. She sat down in the old rocker her brother had let her take from the Robbins Hotel. The seat needed re-thatching and despite her stiff knuckles she managed enough weaves to seat herself comfortably. A handy skill to know, not that she ever used it much, but one that James McCanles taught her long ago so that she could thatch seats for him. It was their fair exchange so that Sarah hadn’t felt like a charity case when he or one of the other McCanleses brought her food to this tiny cabin in the woods. Shunned.
“Mrs. De Vald. I am he who has corresponded so diligently with you. Just a few questions is all I ask.”
In ignoring the man from New York City, she let her mind drift. Rock Creek gurgling in summer, insects buzzing like fairies alive in the tall grass. The pounding hooves of an approaching express rider, the exchange of the mochilla, the entrance of a swift moving stage or the choking dust of lumbering wagon trains. So different from the quiet pines and endless mountains of her youth.
“Mrs. De Vald. I know you were there.”
Sarah stiffened. Certainly this man couldn’t read her mind. Her hands gripped the scarred arm rests. Walnut oil would polish them up, but she had none. She looked around the small room. A broom was needed. In her mind she remembered living here, just her and baby Martha Allice. She made up stories every night. She had no rocking chair then. She used to pace, not understanding why her baby girl fussed so much. Colicky the doctor said. This room was much cleaner back then, back when she had kindling and quilts. Now there was hardly a sapling to be found in the area with the massive lumbering that made her hometown unrecognizable. That it was a town was an amazement. When she lived here it was her father’s mill and store. Neighbors had houses within walking distance, but the forest made it seem more private. Now she could see all the way down the stump-littered hill to the town they called Shulls Mill. Her father’s mill washed away in a flood in 1861 and was never rebuilt. It was 1925 and the families of her brothers now ran the Robbins Hotel in the shadow of the cotton mill and the bald slopes. It looked like a wasteland. It was never a place she wanted to return. She closed her eyes and could feel the warm Nebraska sun on her cheeks. This room was so cold.
No shouts, just continuous rapping as if a woodpecker was attacking the door. It was thin, not like the thick doors Cob once hewn for the ranches he built out west.
“Please, Mrs. De Vald. I have a deadline with my publisher…please?”
Sarah opened the door a crack. The man looked startled, but quickly recovered his dignity. His sloping forehead was topped with a mound of gray-streaked brown hair and was cropped closely behind each ear. Sarah supposed it was a city-man’s style. It did look dignified but she couldn’t imagine Cob wearing his hair like that. Or maybe. It was the kind of thing he’d do, trying to look important. “Be about your business quickly.”
“You are Sarah Shull De Vald?”
“Yes. I am her.”
“How old are you, Mrs. De Vald?”