Basics are important. When I was advanced to a pre-algerbra class in 7th-grade, I missed crucial math basics that were taught that year in regular class. It wasn’t until I was 30-years-old that I would learn those missed basics. Suddenly math wasn’t so difficult. That’s why I’m breaking down the components of the platform so you can understand the basics and decide how to use each as a building block.
The purpose of this series is to teach other writers the marketing basics that form what a writer’s platform is and how to use it.
For twelve years, I was marketing communications manager for a natural foods cooperative in Minnesota. I built a national reputation as a brand manager: I built the co-op’s brand through communicating stories, wrote a brand case study for a marketing workbook, presented workshops on the topic and was the subject of numerous magazine articles. When I left, I freelanced over 30 articles on branding.
My personal brand evolved from my specialty; I was the Brand Buckaroo. It stuck in the minds of those I worked with, taught and networked among. I had fun with the buckaroo image, even though I was strict with our store’s branding. I created a western-themed “Branding 101” continuing education course for our workplace. Thus, staff nicknamed me, “The Sheriff.”
When I turned over the store brand to my predecessor, I kept my buckaroo image. After all, I truly was born into a buckaroo culture which shaped my natural inclination for story-telling, and I was headed west to write. I had to shape a new idea for my platform because I was identified with business and freelancing when I wanted to be identified with literary writing. Buckaroo writer and Carrot Ranch became my branding foundation.
My strongest writer’s platform component is branding. This is also an example of how your platform does not have to be like mine. I love branding, I understand it at a deep level and I use it strategically. It’s fine for you to have a simple brand that others experience. But you need to think about what it is.
As a writer, you are the brand; how others experience you and your writing is branding.
A brand creates physical, emotional and intellectual triggers in the mind of the reader. A writer’s brand is unique, identifiable and visual.
Your name, photos and even the symbols, fonts and colors that you use in your social media, marketing collateral and public relations all add up to your brand. Writers are like cupcakes: the outcome between cake, frosting and decoration is endless. Build your brand like a cupcake and be consistent thereafter.
You don’t change who you are once a month, so don’t change your brand after you’ve established it. Keep your brand as close to who you authentically are, what you write and what you publish. Be your own cupcake and maintain your personal recipe.
This doesn’t mean you can’t re-brand. Sometimes it takes a year or two to get a feel for who we are as a writer. Sometimes we begin with free templates or generic colors and fonts to set up our initial presence. As you evolve, so will your brand. Therefore, let your brand grow into something more definitive.
Take a vanilla-chai cupcake, for example. In the beginning, you put out a flavor that rocks the cupcake world. But your cupcake looks, well, overly vanilla. You spice up the look, give the decoration a flair and you’ve re-branded. But it is still the cupcake others have come to recognize and want. You are still the same writer.
What if you no longer want to be a vanilla-chai cupcake? Maybe you started out writing romances because that was the easiest way for you to earn money as a writer. Now you want to write epic political thrillers, definitely a jalapeno-dark-chocolate kind of cupcake. You are a different writer. Develop a new brand (that’s why some writers have multiple pen names, thus multiple brands). Keep in mind that managing multiple brands consistently is complicated.
Branding goes beyond the visual cues and becomes an experience.
Branding occurs the moment a reader takes a bite of your cupcake. You are not in complete control of your branding. No matter what you do, you can’t make every person like your cupcake. Maybe someone likes the idea of vanilla-chai and someone else thinks it looks too bland. Both may or may not like the taste. It’s perception. And you can’t waste your time trying to change the perception of another. Focus on those who connect to your brand.
Your branding is based on how others experience your:
- Image of who you are as a writer
- Quality and style of your writing
- Level of professional manners
- Emotional, intellectual or physical connection with your readers
Branding is how others experience the visual cues of who you are as a writer. The quality and style of your writing adds to that image. How you treat others on your blog, their blog, Amazon reviews, at book signings, in the media or in correspondence to publishers is a measure of your professionalism. Think of this as manners or customer service. All this leads to connectivity with others, or not.
If your branding isn’t connecting with others, go back to the most basic element of who you are as a writer.
Be authentically who you are: that writer who likes ballet, lyrical sentences and collects Victorian dolls. Or that writer who wiggles at the sound of a race car revving an engine, collects all things Coke-a-Cola and writes terse dystopian YA. Don’t be pictures of your iguana or sprinkle your website with cartoon butterflies if you write modern spy novels, unless you can tie it to who you are as a writer in a way that others would understand.
Think about your own attributes, interests and strengths. Think about personal relationships.
- What do you connect with about yourself?
- Why do you write?
- Who do you connect with as a kindred spirit?
- How do others perceive you?
- Ask a friend or family member to be a mirror of you at your best.
Think about longevity. Will your branding work in the future? My buckaroo brand has been with me throughout my career. It evolved from marketer to writer, and is something I can imagine in the future. I can visualize myself at 92, wearing my buckaroo hat and turquoise boots to a book signing. That I arrived by walker or horse doesn’t matter. That my book is a western, eco-thriller or chick-lit doesn’t matter, either. The buckaroo is me, not my books. My branding is built around my ability to tell stories and make emotional connections: Wrangling words for people, roping stories for novels.
Let’s examine some existing brands so you can get a feel for branding and how it works for a writer’s platform.
Norah Roberts. Her official website is clean, professional and has a romantic flair without being over-the-top. Her picture is fun and you can almost imagine her as one of her jet-setting characters. Even her husband fits the brand of a handsome spouse to the world’s top romance writer. The colors are modern and not gender specific (no obvious pinks or frills). Go to her blog and you might be surprised to find it plain and simple. She’s approachable, enjoys fun times among girlfriends, uses party-left-overs to make a vat of chicken soup and has the same complaints as others on the east coast about the long winter. Her branding is engaging and despite her opulent life, she connects with her readers by being her authentic self. Note: go to her J.D. Robb page and see how different the branding is there.
Clive Cussler. Actually, his website is under a re-brand, which is good because the design looks dated. It is heavily focused on his many books, but note that a photo of him dominates over the bookselling. Clive Cussler is the brand. He makes a surprising statement: “I have never considered myself as much a writer as an entertainer.” His branding is that he is the grandmaster of adventure. He’s lived a life worthy of fictionalized tales in adventurous novels. He is not as approachable as Norah Roberts, but he welcomes readers to his website and feels present. He does not blog. All his books are housed on this one platform.
Wine Wankers. This is blog is one of the best blogging success stories from branding to community to credibility to audience. Conrad (one of the wankers team) was among the first to follow my blog. I thought he was a nutcase. His picture made me think that this was some creepy dude that I would not want to follow anywhere, but I do look at other bloggers’ sites when they follow me. I laughed when I got to the site and read, “Smile 🙂 You’re at the best wine blog ever!” Why does this creepy picture work? First of all, it actually represents the three-man team with a knack for branding humor. The other part of their branding is an authentic enjoyment of wine beyond the pretense of the industry. It’s a wine blog for the common person who happens to love wine. They are Australian, thus they focus on their region. From their branding and community they built up credibility and the site is among the most influential on the internet. And you bet that equates to a large audience.
Here’s a chart of branding specifics that you can use to define who you are as a writer to others:
Tell me about your branding in the comments. Do you feel it is an important component of your platform? Why or why not?