One thing you can’t fake as a writer is voice. To some it’s a mystery to develop. It sounds a lot like the adage adults might have offered you as a teen — be yourself. Yet, to others, the pursuit of self and understanding who you are in the context of the greater world, is why we write. Awareness leads to voice. Knowing what captivates us, angers us, motivates us are all topics for our voice.
As a reader, I enjoy books by authors who have a strong voice — something meaningful to say in a way unique to that person.
From the first time I read Geoff LePard’s blog, Tangental, I knew this was a writer with voice. Intelligent, quirky, compassionate, edgy and witty, I felt I struck gold getting to read posts about his father’s military service in Palestine, his growing up in the UK, his love for London and travel, Dog, poetry and fiction. Better yet, Geoff began to write regular flash fiction at Carrot Ranch despite his belief that I said something about his poop (I clearly wrote popped).
The English language can be strange cousins between the US and UK.
Yet, Geoff has tackled bringing the cousins together in his latest novel, My Father and Other Liars. It is a story that extends from England to San Francisco to Oklahoma to Nicaragua and connects global characters through personal and political twists.
Before reading this second novel by Geoff, I began to understand through his short stories and debut novel, Dead Flies and Sherry Trifle, that he is consistent in developing dialog and characters. In fact, his fiction comes to life through dialog. And his characters are complex, yet approachable in their humanness.
However, I found myself uncertain about the protagonist of My Father and Other Liars. Mo can bristle. He can be sarcastic and unkind. Yet we get insights that he has goodness and valor among his flaws. It’s something I’ve begun to notice, reading two other works that Geoff is writing (Mary’s Saga and Buster and Moo). No one is the good guy or the bad guy. Clearly there are those roles in My Father and Other Liars, but even the most sinister character is given the light of humanity. It’s that perspective that makes Geoff’s characters interesting and worth reading. The ending will stun you and reveal that Mo is better than he makes himself out to be.
Another ability Geoff has as a writer is to twist plots like a rope-maker. Once I got into the story, I kept wanting to read another chapter and another. The science and the creation of a theology and government organization behind My Father and Other Liars, each creates its own strand along with the tension between the characters of Mo and Lori-Ann Beaumont. Yet Geoff unravels the knots in an unexpected but satisfying ending.
Ultimately, My Father and Other Liars made me think about how modern science and religion intersects and how connected the world is through politics, media, business and shared heartaches regarding fathers and what it is like to identify as an adult orphan.