Grab your notebook and walking stick, a light coat, and maybe a hat. It’s cold enough to turn a few maple leaves into fire paintings. We’re going for a walk.
Feel the brisk air? Inhale deeply and watch your breath frost on the exhale. I wasn’t kidding about the cold. I know, it’s dark so let your eyes adjust a moment. See my tomato plants in the shadows of night? It won’t frost yet. They’ll be okay. If you can strain your eyes, that’s a potted eggplant. No flower, no fruit. Ah, well. It was worth a try. See over there to the right of the tomatoes? Yes, I know it’s dark, but see how the light-colored leaves illuminate? Those are all Brussel sprouts. Six of them and they will continue to grow until frost. After that, they will sweeten on the stalk.
Carefully take the stairs, and we’ll gather beneath the street lamp. Look back at my home (MY HOME!) and see how the light in the back windows glows. It makes me sigh in satisfaction. A heavy sigh frosts my breath again! Notice the color of the lamplight is pinker than the warm yellow tones emanating from inside my house. Just an observation. Smell that? Crisp fall air smells sharp and clean. It clears the sinuses the way champagne cleanses the palate. Did you catch the whiff of smoke? Someone has lit a fire against the chill.
This narrow street we are standing in is named Jensen. It’s a one-way alley. See Mrs. H’s house over my shoulder? She’s on the corner of Roberts and Ethel. Next door on the corner of Ethel and Jensen is her granddaughter’s house. Their back yard is a run-on sentence to ours. We really don’t know the property lines. That bank of lilacs might be mine, or they might belong to Mrs. H. Their snow gets shoved into our yard each winter. But I’m jumping ahead.
If you count those two houses and the ones across the alleyway down to where Jensen curves back up to intersect Roberts, we total six houses. There’s only one other house on the other side of my next-door neighbor. That makes eight, ours makes nine. Let’s walk to the corner. The alleyway slopes downhill slightly then rises again to meet Roberts Street. That open space fills with snow removal in winter.
If you go past the last house, there’s a hillside where we all dump our maple leaves after they drop. That house on the corner is for sale. Bet the new owners will be surprised to see the neighborhood crossing their yard with a parade of leaves this fall. Okay. We are at the corner. If we turn left, we’d have to cross the snowmobile trail. It’s great for walking the dogs in summer. If you walk up the long hill, you’ll pass the county fairgrounds where the city of Hancock stores all its removed snow. It’s like glacial melt in the spring.
Further, are the Maasto Hiihto Trails. I know, it looks like a misspelling, but double vowels are typical in the Finnish language, and you’ll find that our area is imbued with Finn culture. The Laurn Grove Park is only a block up the snowmobile trail. It has an ice hockey rink and play area for kids. If I had young children, they’d play there, making sport of cutting paths through the small copse of woods on the other side of the trail.
The park is named for two boys who grew up in the scattering of neighborhoods like ours on this hillside. Both died in WWII on different ships in the Pacific. Past the park is the house where the Koski boys grew up a generation later. They both served in Vietnam, and their wives are good friends of mine.
The opposite way down the snowmobile trail is the Finlandia football field. I heard them practicing well after dark tonight. The Hancock high school squad practices there, too, and I know the parents of one of the boys. His dad served in Iraq, and his mom works fulltime at Michigan Tech. She takes care of him. He has back injuries, TBI and PTSD almost to the point of agoraphobia. But he watches his son play.
War has left its mark on my small neighborhood. My husband is a veteran of Grenada and deployments to Central America. My next-door neighbor was in the Army. Not sure if he’s a combat veteran, but he can seem intimidating. I talk garden matters with him, and that softens him.
Let’s walk back to the house from Roberts Street and add to our count the neighbors on the opposite side. Fourteen. That’s our block. A good baker’s dozen of us. A friendly bunch. Dog walkers and bird watchers. A few general landscapers, just two of us gardening, but everyone mows their lawns or hires Mrs. H’s great-grandson.
Come on inside. I don’t know about you, but my hands are cold! The tip of my nose, too. It was quiet tonight. Last week, when the fair was in town, traffic got loud up and down Ethel. Sometimes we can hear noisy bikes or trucks blasting down Quincy Hill. Otherwise, it’s a quiet place for town-living. I’m going to link a map for you, and you can zoom in to see 1112 Roberts Street or zoom out to where I live in proximity to Lake Superior.
What a glorious tool, Google Maps! You can also click on places like Maasto Hiihto Trail or Franklin Mine or McLain State Park and look at streets and satellite views and click on photos. You can measure distances and see the terrain. Maps used to show space on a grid. Now they can be more interactive. The purpose of our walk tonight was to introduce you to something I just learned and feel excited about — deep mapping.
Consider the difference between space and place. Space spreads out on a map and can be measured in longitude, latitude, and altitude. Place is what we make of space, the meaning we attribute to it. To deep map a place, we start with observation. We took a walk. According to Linda Lappin, author of a book I’m reading for my MFA called The Soul of a Place, “A deep map, then, is a sample swatch of the multiple manifestations of the genius loci [the spirit of a place].” The term comes from PrairyErth: A Deep Map by William Least Heat-Moon and shows the stratification of a geographical spot.
Walking the spot is the first step to deep mapping. This is exploration. Next is a gathering of details — how does the light of day, the cold of winter change the place. Lappin advises authors to learn the names of plants and birds and streets. This act transforms a writer into a camera, a recorder, a scientist before artist. As artist, deep mapping then calls the writer to respond to all discoveries, to learn and observe. Push deeper and research the place names and local history. Think about how your personal story intersects with all this information about a single place. Finally, a deep mapper must organize all this material into blocks, miles, and themes.
Lappin writes that she gathers superstitions, plant lore and recipes to add local color. All this true-to-life background informs the details upon which she traces out the plot of the story. She shows that deep mapping crosses all genres and can include interiors as well as exteriors. I find it fascinating because I’ve intuitively deep mapped places I write about not realizing there’s an entire process to this kind of work. Film-makers, visual, and performing artists also use the tool.
And as a writer of 99-word stories, I often use that literary artform to catch my mapping impressions, which makes me even more excited about the process. If you give deep mapping a try or find, like me, you already do some of it, let me know your thoughts in the comments.
While reading The Soul of Place, Lappin shared a list of street names she collected in Italy. One translated to Girl Thief Road. This jogged my memory of a Mean Mary song:
The banker’s boy, the boss’s son
They’re hoarding all the treasures their daddy’s won
And they think the vault is safe but she’s smarter than they thought her
They always underestimate the safebreaker’s daughter
You can listen to the full song here: The Safebreaker’s Daughter. One of the techniques for deep mapping can be music. I like songs that hint at a story, ones I can apply to a place. Mean Mary never reveals “the story” in her song, and that’s why it always niggles at me. How did they underestimate the safebreaker’s daughter? And, who was the safebreaker? Did he have a legitimate job, or was he a thief? What if I plopped these characters from a song onto my street? Deep mapping can be fun, and there are endless ways you can use it to spark your own writing.
August 29, 2019, prompt: In 99 words (no more, no less) write a story about the safebreaker’s daughter. Who is she, what did she do, and where? Go where the prompt leads you!
Respond by September 3, 2019. Use the comment section below to share, read, and be social. You may leave a link, pingback, or story in the comments. If you want to be published in the weekly collection, please use the form. Rules & Guidelines.
Thelma on Roberts Street by Charli Mills
The light overlooking Roberts Street flickered and faded. Thelma smiled and accepted the omen – all that glows holds no permanence. Probably the gales blew out a transformer nearby. Wind gusted through the maple trees, scattering small flocks of leaves to the ground. Summer was over. The tourists went home; the college students returned. The latest batch of football players for Finlandia made a good excuse for her to walk this path. Just another smitten female sauntering home late. Who would think she was casing the football coach’s house? She had ten minutes to prove she was the safebreaker’s daughter.