Coursework on plot scatters across my dining room table as if I were translating old Medieval letters, seeking the alchemy of novels. How do I turn base pages into golden books? I’m overwhelmed with formulas so I draw pictures in the margins. My stick-figure protagonist ends up with a knot in a box with wheels, and I have the slightest shift in understanding. I can visualize what I’ve been trying to do with my W-storyboard for years.
Of course, it helps that with each a-ha of chemical compounds to create a novel in a lab, I have fellow mad-scientists to work with and Dr. Frankenstein to guide in our critique. The hard work of my MFA has arrived and I didn’t know my writing could be pushed to such depths where heat and pressure crystalizes material. Will strands of gold emerge? Time will tell.
Needing to relieve some of that pressure, I suggest to the Hub that we go to the cheap-seats night at the movie theater and catch 1917. One of the plot techniques I’ve studied is the Blake Snyder Beats. Save the Cat! is a website of diverse writer resources based on Blake Snyder’s series of books for developing screenplays and novels. His genres include Dude with a Problem, and that’s what 1917 is — a movie about a soldier with a problem. I justify going to the movie because after I can read the Beat Sheet and learn more about novel alchemy.
The movie rolled on from opening image to closing image with a single blackout break. Otherwise, the viewing experience remained intense. If you have not seen the movie, know that the 1917 Beat Sheet reveals spoilers. If you have, it’s worth comparing what you viewed to how the beats apply to the screenplay. In order for my thesis to be accepted, I have to complete a detailed plan including plot and character development. At this point, I’m reading books and watching movies to study the plans beneath.
That doesn’t mean my mind has avoided windows or playtime. In fact, I feel my imagination is heightened. I worried that if I gave in to plotting I might lose the fun of discovery in pantsing, but I’m finding that discovery exists in plotting, too. I’m starting to see stories emerge more quickly, which is a huge relief given my propensity to stare. I still get to window-gaze. The flow comes faster.
This week, Mental Floss posted a list of antiquated words or phrases associated with Valentine’s Day. One is sugar report, which is what soldiers in WWII often called mail from wives and girlfriends. This made me think of the character, Schofield, in 1917, and his reluctance to see his family on leave because he’d have to leave them again. It made me wonder how the sugar report was received in WWI. It’s a phrase that can be applied to modern sweethearts, too.
I’m not full of insights this week, adjusting to the absence in our home and working toward that thesis plan. If you were here, I’d invite you to the Parade of Confections tomorrow at the Finnish Heritage Center. I’m a newly appointed Board Director for the Copper Country Community Arts Council and this is one of our big fundraising events. I’ll be pouring wine and helping to keep the appetizer trays full. In the future, I look forward to bringing literary and other artists together for learning and collaboration.
Somewhere in all of this, I’ll find transformation. I hope we all will. In the meantime, let’s write love letters to the frontlines, no matter where a sugar report might turn up.
February 13, 2020, prompt: In 99 words (no more, no less), write a story that includes a sugar report. Use its original meaning of a letter from a sweetheart to a soldier, or invent a new use for it. Go where the prompt leads!
Respond by February 18, 2020. Use the comment section below to share, read, and be social. You may leave a link, pingback, or story in the comments. If you want to be published in the weekly collection, please use the form. Rules & Guidelines.
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1917 Sugar Report by Charli Mills
In 1916 it wasn’t clear if America would send troops overseas, but if they did, John Kellerman was enlisted and ready. His mother refused to say goodbye the day he left their Midwest farm. She was a widow against the war. His kid sister ran after his bus, waving proudly. She sent him letters scented with pink roses from her victory garden. Kellerman let his squad believe he had a sugar report from home, enjoying the minor deception. When he was killed on the frontline, they buried him and his sister’s letters beneath a white cross. Nothing sweet remained.