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TUFF Flash Fiction Contest Part Four

Did you stay in the saddle for the full ride? Or are you here to slide under the fence, last minute? Either way, Rodeo Writers, you’ve TUFFed it out and we have arrived at our final challenge.

TUFF (The Ultimate Flash Fiction) is a progressive form that takes you from draft to revision through several word reductions — 99, 59, 9, 99. Each step has had a twist along the way as the TUFF contest has unfolded:

The final twist in the contest involves an additional trope. The first draft included the tropes for western and romance. Tropes are elements that define a genre or theme. In this contest, we have used tropes as themes. Now, we will add a final trope as a prop.

PART FOUR TWIST

A prop can be gold in your character’s hand. It’s a ring they fidget with that tells the readers they’re nervous. It’s the lariat they toss in boredom, the wooden spoon they waggle at someone with aggression, the leather wallet with a mysterious photo they won’t explain.

A prop can set a scene. It’s an empty glass on the saloon counter, the abandoned doll along a cattle trail, a slip of satin ribbon caught in a branch, an old saddle in the trunk of a sports car.

By now, you should have revised your first draft with insights gained through earlier twists and word reductions. Your final TUFF task is to add a prop without changing your revised story. Make the prop fit your story and set a scene or convey an emotion. Don’t change the story because of the prop. Instead, use the prop to better express the tone or emotion of your story.

An, of course, it’s not just any ol’ prop. You are to use the trope for an “eerily out of place object.” For those of you who like speculative fiction, now is your chance to add an alien spacecraft to the horse pasture. It can also be a small, ironic item such as a circuit pastor using a Crown Royal booze bag to carry his sermon notes.

Big or small, add it to your story without rewriting to accommodate or explain the item. Let it linger mysteriously. Better yet, use it to deepen characterization, create emotion or set a scene’s tone.

That’s it! This is when you will turn in all your work. Just like math class. Your first draft should be your first draft — unaltered! Your final draft should be the one you have tinkered and tweaked, editing and polishing.

CONTEST NOW CLOSED. WINNER ANNOUNCED DECEMBER 1, 2020.

Please read the rules thoroughly. And join us tomorrow for Marsha Ingrao’s Rodeo Contest when it goes live.

CRITERIA:

  1. Your story must include western romance themes or tropes. See TVTropes.org for ideas wild west and romance to see how much fun you can have with this combination.
  2. Even though the story calls for you to mix two tropes, you are free to add more tropes or write in your genre of choice.
  3. You will submit one story, retold through varying word counts: 99 words, 59 words, 9 words, and 99 words.
  4. You must turn in TWO 59-word count reductions of your story (one in the original POV, and one in a different POV).
  5. You must turn in three 9-word count reductions of your story into three different taglines.
  6. Add an eerily out of place prop to your final draft.
  7. Your second 99-word story should show transformation through revision. How is it different? How is it improved? Did the TUFF process offer new insights for the final version?
  8. The story can be fiction or BOTS (based on a true story).
  9. Make the judges remember your story long after reading it.

CONTEST RULES:

  1. Every entry must meet the word count requirements exactly. You can have a title outside that limit. Check your word count using the wordcounter.net. Entries that aren’t 99-59-9-99 words will be disqualified.
  2. Enter this contest only once. If you enter more than once, only your first entry will count.
  3. Do your best to submit an error-free entry. Apply English grammar and spelling according to your country of origin style. As long as the judges can understand the language, it is the originality of the story that matters most. However, we want to see a raw draft in the first 99-words, and a polished, edited draft in the second 99-words.
  4. If you do not receive an acknowledgment by email WITHIN 3 DAYS, contact Charli at wordsforpeople@gmail.com.
  5. Entries must be received by 11:59 p.m. EST on November 1, 2020 (entry form posted October 26).
  6. Refrain from posting your contest entry until after the winner is announced on December 1, 2020.
  7. Use the entry form posted on part four of this contest Monday, October 26, 2020.

JUDGING

Charli Mills, Lead Buckaroo at Carrot Ranch, will collect stories, omitting names to send to the judges. Because we are committed to blind judging, please refrain from posting your contest entry on your blog until after winners are announced. TUFF judges are familiar with this format. Life Coach and Grief Counselor, Cynthia Drake, uses TUFF with her clients. Poet, Editor, and College Professor, Laura Smyth, uses TUFF in her classroom. Both are returning judges and will be looking for transformative writing that results in a memorable story using western romance tropes. The top winner in each contest will receive a virtual badge and $25 (PayPal, check, Amazon gift card, or donation). The winner announced on December 1, 2020.

Join Goldie for our final Rodeo Contest — Wanted Alive! Contest goes live Tuesday, October 27.

Kid and Pal return to the Saddle Up Saloon next Monday. Be sure to catch their latest interview. Winners for the Rodeo Contests, including TUFF, announced successively every Tuesday through December 1.

Thank you to all who joined in the contests. A special shout out to our Rodeo Leaders, Kerry, Colleen, Marsha, and Goldie. Thank you to all the judges.

TUFF Flash Fiction Contest Part Three

How are you doing TUFF rodeo writers?

You should be familiar with your 99-word story by now (Part One), and hopefully, you have spent some time exploring your story from different points of view (Part Two). TUFF is The Ultimate Flash Fiction and those of you daring enough to enter this progressive contest are spending a month on a single story taking it from draft to revision.

Part Three is your final tool in the process. It’s the tightest word reduction of your story: 9 words. That’s not a typo. The word count isn’t missing a double-digit. It’s nine words that you can count on your hands, presuming you didn’t lose any fingers riding bulls at your last rodeo.

Why so few words? This is a tool to arrive at the heart of your story. It’s the hook to interest a reader. Think of taglines from movies:

  • In space, no one can hear you scream. (Alien)
  • 3.7 trillion fish in the ocean. They’re looking for one. (Finding Nemo)
  • One dream. Four Jamaicans. Twenty below zero. (Cool Runnings)

Novels have taglines, too. Often they stand out as a quote above a book blurb on a cover. It can be the hook for a query letter or a zinger for promotional materials.

  • Laia is a slave. Elias is a soldier. Neither is free. (An Ember in the Ashes)
  • Winning will make you famous. Losing means certain death. (The Hunger Games)
  • She had six husbands, money, and one lover too many. (The Long Goodbye)

If you are writing a book, a tagline becomes your guide. You can print it off and tape it to your computer monitor, reminding you what your book is about.

Like with TUFF Part Two, this step is meant to be a tool to help you get to the heart of your story. And, yes, there is a twist.

THE PART THREE TWIST

Write THREE 9-word taglines that capture the heart of your story:

  1. Pick the strongest aspects of your story and write it in 9-words.
  2. Next, pick the aspects you left out, and write another 9-words.
  3. Write a final 9-words that summarizes the conflict or tension.

You will have one more TUFF step after this one. It will be your revision, the reason you are given tools to rethink your original story. You will submit all steps, using the submission form in Part Four by November 1 (11:59 p.m. EST).

We are not accepting challenges, only contest entries. Weekly challenges continue every Friday at CarrotRanch.com/blog.

Please read the rules thoroughly. And join us tomorrow for Marsha Ingrao’s Rodeo Contest when it goes live.

CRITERIA:

  1. Your story must include western romance themes or tropes. See TVTropes.org for ideas wild west and romance to see how much fun you can have with this combination.
  2. Even though the story calls for you to mix two tropes, you are free to add more tropes or write in your genre of choice.
  3. You will submit one story, retold through varying word counts: 99 words, 59 words, 9 words, and 99 words.
  4. You must turn in TWO 59-word count reductions of your story (one in the original POV, and one in a different POV).
  5. You must turn in three 9-word count reductions of your story into three different taglines.
  6. Your second 99-word story should show transformation through revision. How is it different? How is it improved? Did the TUFF process offer new insights for the final version?
  7. The story can be fiction or BOTS (based on a true story).
  8. Make the judges remember your story long after reading it.

CONTEST RULES:

  1. Every entry must meet the word count requirements exactly. You can have a title outside that limit. Check your word count using the wordcounter.net. Entries that aren’t 99-59-9-99 words will be disqualified.
  2. Enter this contest only once. If you enter more than once, only your first entry will count.
  3. Do your best to submit an error-free entry. Apply English grammar and spelling according to your country of origin style. As long as the judges can understand the language, it is the originality of the story that matters most. However, we want to see a raw draft in the first 99-words, and a polished, edited draft in the second 99-words.
  4. If you do not receive an acknowledgment by email WITHIN 3 DAYS, contact Charli at wordsforpeople@gmail.com.
  5. Entries must be received by 11:59 p.m. EST on November 1, 2020 (entry form posted October 26).
  6. Refrain from posting your contest entry until after the winner is announced on December 1, 2020.
  7. Use the entry form posted on part four of this contest Monday, October 26, 2020.

JUDGING

Charli Mills, Lead Buckaroo at Carrot Ranch, will collect stories, omitting names to send to the judges. Because we are committed to blind judging, please refrain from posting your contest entry on your blog until after winners are announced. TUFF judges are familiar with this format. Life Coach and Grief Counselor, Cynthia Drake, uses TUFF with her clients. Poet, Editor, and College Professor, Laura Smyth, uses TUFF in her classroom. Both are returning judges and will be looking for transformative writing that results in a memorable story using western romance tropes. The top winner in each contest will receive a virtual badge and $25 (PayPal, check, Amazon gift card, or donation).

TUFF Flash Fiction Contest Part Two

Welcome back TUFF, rodeo writers!

By now, you’ve figured out you have an entire month to work on your flash fiction entry to TUFF (The Ultimate Flash Fiction). That might lull you into complacency. It might tempt you to disregard the contest until the very end (October 26 when the submission form goes live with the final part). Let me convince you otherwise.

Mastering TUFF in its flash fiction form teaches you the skills every fiction writer needs. We all have to draft and we all have to revise. TUFF can be a tool to work on your story with progressive word constraints.

Last week, in TUFF Part One, you drafted a 99-word story. Do. Not. Touch. It. A raw draft is a raw draft. Let it be. What comes next are the tools of your writing craft. Use the next two constraints to revise your final 99-word story. You can write that final 99-word revision 99 times if you’d like. But you can only turn in one, of course. This is where we start exploring and experimenting — with 59-words.

THE PART TWO TWIST

For this week’s addition to the TUFF contest, you will write TWO 59-word stories, reducing your original draft. In one 59-word story, reduce it using the original point of view. In the other 59-word story change the point of view.

It’s the same story, just smaller. You are tasked with picking and choosing the strongest elements from your 99-word draft. This makes you consider what is working, where your story’s focus is, and how to tell it.

Here is an example:

Saving Grace by Charl Mills (99-word draft)

Grace looped her right leg into the padded hook of her sidesaddle. Her long skirts without hoops nearly touched the ground. With war coming to New Mexico, camp guards eyed her skirts critically. If Grace felt threatened, she straightened her back and spoke her family name. But it wasn’t to her grandfather’s quarters she rode. A man in riding boots met her behind the row of soldiers’ tents. Rory O’Bannon. Her lips parted. He approached her skirts, reached beneath to touch her left ankle. She nearly swooned. Though her skirts were big enough to hide ammunition, she smuggled love-letters.

59-word Same POV

Grace rode sidesaddle into camp. Without hoops, her skirts hung low, catching the critical eye of guards. She straightened. “You dare touch the General’s granddaughter?” They let her pass. Before tea with Grandpa, she rode past the soldiers’ tents. Rory O’Bannon reached where guards dared not. He touched her ankle and her lips parted. Her skirts smuggled love letters.

59-word Different POV

I had to elude the guards with my contraband. Everyone knew who I was, but with war coming to New Mexico, suspicions grew. They couldn’t know I was meeting a Confederate soldier. Dressed in Union colors, Rory emerged from the tents near the woods. His touch beneath my skirts electrified me. I headed to Grandfather. My love letter delivered.

Notice how I used or omitted different details in each. That’s how you can use the POV tool. Often writers instinctually write in a POV that feels familiar. Maybe it’s what you read, or common to your genre. When you switch POV, the closeness to the character changes. First-person is more intimate but also limited. What I found interesting is that when I switch POVs, I had different ideas about the story pop into my head. You can use the 59-word constraint to explore different ideas, different POVs, or even different craft elements (notice that I added dialog to one of the reductions).

You can play with this story all month! Don’t touch the original draft, change up the final revision. And if you are just getting started, that’s fine — everyone has until November 1 (11:59 p.m. EST) to enter. There is no entry form yet. This is your time to process and be working on your final revision, using the reduction tools. Use the 59-word reduction as often or as differently as you want, but be prepared to only turn in TWO different 59-word POV reductions of your original draft.

Have fun! Check back next week for TUFF Part Three.

We are not accepting challenges, only contest entries. Weekly challenges continue every Friday at CarrotRanch.com/blog.

Please read the rules thoroughly. And join us tomorrow for Colleen Chesebro’s Rodeo Contest when it goes live.

CRITERIA:

  1. Your story must include western romance themes or tropes. See TVTropes.org for ideas wild west and romance to see how much fun you can have with this combination.
  2. Even though the story calls for you to mix two tropes, you are free to add more tropes or write in your genre of choice.
  3. You will submit one story, retold through varying word counts: 99 words, 59 words, 9 words, and 99 words.
  4. You must turn in TWO 59-word count reductions of your story (one in the original POV, and one in a different POV).
  5. Your second 99-word story should show transformation through revision. How is it different? How is it improved? Did the TUFF process offer new insights for the final version?
  6. The story can be fiction or BOTS (based on a true story).
  7. Make the judges remember your story long after reading it.

CONTEST RULES:

  1. Every entry must meet the word count requirements exactly. You can have a title outside that limit. Check your word count using the wordcounter.net. Entries that aren’t 99-59-9-99 words will be disqualified.
  2. Enter this contest only once. If you enter more than once, only your first entry will count.
  3. Do your best to submit an error-free entry. Apply English grammar and spelling according to your country of origin style. As long as the judges can understand the language, it is the originality of the story that matters most. However, we want to see a raw draft in the first 99-words, and a polished, edited draft in the second 99-words.
  4. If you do not receive an acknowledgment by email WITHIN 3 DAYS, contact Charli at wordsforpeople@gmail.com.
  5. Entries must be received by 11:59 p.m. EST on November 1, 2020 (entry form posted October 26).
  6. Refrain from posting your contest entry until after the winner is announced on December 1, 2020.
  7. Use the entry form posted on part four of this contest Monday, October 26, 2020.

JUDGING

Charli Mills, Lead Buckaroo at Carrot Ranch, will collect stories, omitting names to send to the judges. Because we are committed to blind judging, please refrain from posting your contest entry on your blog until after winners are announced. TUFF judges are familiar with this format. Life Coach and Grief Counselor, Cynthia Drake, uses TUFF with her clients. Poet, Editor, and College Professor, Laura Smyth, uses TUFF in her classroom. Both are returning judges and will be looking for transformative writing that results in a memorable story using western romance tropes. The top winner in each contest will receive a virtual badge and $25 (PayPal, check, Amazon gift card, or donation).

TUFF Flash Fiction Contest Part One

Welcome to the Saddle Up Saloon, Writers!

Yep. You’ve landed in the right spot if you are looking for the 2020 Flash Fiction Rodeo. Kid and Pal hit the trail, taking some well-deserved time off from running the Saloon. They hope to return next month, every Monday, with fun literary events and character interviews. If you have the daring to let your characters be interviewed by characters that refuse to believe they fall from the ink in D. Avery’s pen, then this month is a good time to get into the line-up. Contact Kid and Pal at D. Avery’s address averydede.1@gmail.com.

Let’s get down to the tuffest contest in the Rodeo. If you are not familiar with TUFF (The Ultimate Flash Fiction), let me take a sip of this good hard cider Pal left for us and explain. TUFF is a progressive formula that requires a  writer to draft and revise. It begins with a 99-word quick draft. Next, you reduce the draft to 59 words. Then 9 words. Finally, you revise the original draft according to insights gained through reductions to complete a polished 99-word story. As a formula, it looks like this: 99-59-9-99. It’s a challenging format that asks writers to be vulnerable. Why? Because your first draft must read like a raw draft.

We want to see a transformation. We want to experience how you, as a writer, took a single draft and transformed it over a month. Yes, you get a month to complete the process. However, there will be unexpected twists along the way. Each Monday, I will announce a new twist for the next step to test your craft skills and versatility. Be prepared to stretch as a writer.

Let me explain why I like the TUFF process. The reductions force you to think differently about your word choices. It might change the outcomes of your stories. TUFF gets you out of the mindset that there is only one path for a story. As an MFA student, I’ve had to draft fast and hard, yet learn to make meaningful choices for revision. If I get stuck on a scene, I write that scene in 99-words and take it through the TUFF process. It helps me focus on what is essential and to take courage to cut what isn’t needed.

As a short story writer, TUFF can be your money-maker. Every month you can be entering cash-prize contests. TUFF can help you generate material. It can be hard to stare at the blank screen and develop five stories for five contests. But what if you have a great premise? Draft it in 99 words, and take it through the revision process but differently each time according to meeting the criteria of five different contests. You can start with one idea and develop five unique stories to learn to write with versatility.

You can use TUFF to develop a vision and mission as a literary artist or develop your pitch in varying lengths. As you write your novel, you should also be continually revising your pitch and synopsis. Drafting and defining are two different applications of storytelling. They can go hand in hand throughout the greater writing and revision process. TUFF can be a quick spark to these important activities. For an example of TUFF in action, watch my YouTube video, Yellow Roses.

But for now, it’s a contest!

Final entries won’t be collected until after the last part issued on Monday, October 26. Those of you who get started immediately are going to squirm all month, wanting to alter your draft. Don’t. Step away from the raw draft. It is meant to be raw. If you revise and polish it, the judges won’t be able to witness the transformation. And transformation is key. However, if you wait until the last week to do all four parts, your final piece will lack the depth of insight we want to see in the transformation. My best advice to contestants is to pace yourself each week. You can only enter one entry, but you can certainly get TUFF with as many stories as you like. Or, as I suggested earlier, you can play around with the 59-word and 9-word possibilities to take your draft in different directions.

We are not accepting challenges, only contest entries. Weekly challenges continue every Friday at CarrotRanch.com/blog.

Please read the rules thoroughly. And join us tomorrow for Kerry E.B. Black’s Rodeo Contest when it goes live.

CRITERIA:

  1. Your story must include western romance themes or tropes. See TVTropes.org for ideas wild west and romance to see how much fun you can have with this combination.
  2. Even though the story calls for you to mix two tropes, you are free to add more tropes or write in your genre of choice.
  3. You will submit one story, retold through varying word counts: 99 words, 59 words, 9 words, and 99 words.
  4. Your second 99-word story should show transformation through revision. How is it different? How is it improved? Did the TUFF process offer new insights for the final version?
  5. The story can be fiction or BOTS (based on a true story).
  6. Make the judges remember your story long after reading it.

CONTEST RULES:

  1. Every entry must meet the word count requirements exactly. You can have a title outside that limit. Check your word count using the wordcounter.net. Entries that aren’t 99-59-9-99 words will be disqualified.
  2. Enter this contest only once. If you enter more than once, only your first entry will count.
  3. Do your best to submit an error-free entry. Apply English grammar and spelling according to your country of origin style. As long as the judges can understand the language, it is the originality of the story that matters most. However, we want to see a raw draft in the first 99-words, and a polished, edited draft in the second 99-words.
  4. If you do not receive an acknowledgment by email WITHIN 3 DAYS, contact Charli at wordsforpeople@gmail.com.
  5. Entries must be received by 11:59 p.m. EST on November 1, 2020 (entry form posted October 26).
  6. Refrain from posting your contest entry until after the winner is announced on December 1, 2020.
  7. Use the entry form posted on part four of this contest Monday, October 26, 2020.

JUDGING

Charli Mills, Lead Buckaroo at Carrot Ranch, will collect stories, omitting names to send to the judges. Because we are committed to blind judging, please refrain from posting your contest entry on your blog until after winners are announced. TUFF judges are familiar with this format. Life Coach and Grief Counselor, Cynthia Drake, uses TUFF with her clients. Poet, Editor, and College Professor, Laura Smyth, uses TUFF in her classroom. Both are returning judges and will be looking for transformative writing that results in a memorable story using western romance tropes. The top winner in each contest will receive a virtual badge and $25 (PayPal, check, Amazon gift card, or donation).

October 1: Flash Fiction Challenge

The first full moon of the month rises — the Harvest Moon. Yet my garden joyfully continues to bloom with French marigolds, zinnias, snapdragons, and a fall profusion of nasturtium. My tea rose put out one more scarlet red bloom, and my delphinium surprised me with a third unfolding of purple flowers! My sweet william gave a half-hearted go at it, too, and my peony bushes turned russet like the maple trees. Two lemon queens out of nine yet stand, dropping their heads downward. I can’t seem to eat enough rosemary, picking its freshness in the crisp air daily.

If this is the Harvest Moon, then time to dig the last of the carrots, potatoes and claim my squash.

Further up Quincy Hill from Roberts Street, the copper-bearing ridge that forms the spine of the Keweenaw Peninsula has experienced harder frosts. At the kids’ homestead, they harvested 250 pounds or rosy red potatoes and enough butternut to last all winter. My SIL built a cold storage un their cellar to store it all. We anticipate a hog raised by friends along the Chequomegan Bay side of Lake Superior to fill our two freezers. Winter is coming, and I heard rumor of snow mixed with today’s rain up higher. An inch is coming, they say. The first snow.

Across Roberts Street, a neighbor’s maple blazes so brightly it’s practically neon orange. I love the transformative feel of this season. And we have reached a transformation at Carrot Ranch, too! Today, under the light of the first full moon, we officially launch the Rodeo Season!

Carrot Ranch Flash Fiction Rodeos are intended to be an opportunity for the greater writing community to hone and highlight their craft skills. It’s also a fun time to offer something different from the weekly challenges. However, like snow and autumn leaves still on the branches, both will happen simultaneously. We will have a series of Rodeo Contests and weekly challenges. By the time NaNoWriMo starts, you will be full of seeds to harvest into a longer work, if that’s your intent. A few of you might walk away with a swagger and $25 cash. All of you will have had an unexpected experience because I predict, you have no idea what these Rodeo Leaders have in store for you!

Most,ly, I hope you have fun and stretch yourselves as writers. Be brave. Be compassionate, yourself included. No one ever said literary art was easy. But I promise you — it is worth your effort! You get to develop your voice, express imagination and expand your creativity. All among a community.

Speaking of stretching, I’m stretched thin. It’s just a season. An MFA season. I appreciate all the support and understanding and know that I greatly value the community at Carrot Ranch. My reason for existing as an author is to be the kind of literary citizen who engaged my mind and heart and imagination over the years. Sure, I could go away and write, but the silence would be defining. My voice would weaken, and I would miss yours. I’m in this with other writers, and I’m committed to making literary art a light in dark times. I’m dedicated to finding my best expression to give voice to women on the fringes and frontiers. I want to help you be your literary best for whatever purpose you have.

So, let’s get this rodeo started!

Bull riding runs in my family. My great-grandfather rode bulls, my grandfather did, and so did my dad. I never rode a full-grown bull, but I did take down a billy goat in the same rodeo arena where my kin-buckaroos made eight-second rides. Here’s the thing to keep in mind with eight seconds. It’s a lot like a fast 99-word draft. You can’t write at that speed and stay in the saddle without some skill. I think everyone is capable of making a go. In fact, I have held literary outreach, where I make attendees write 99 words in five minutes. When someone says impossible, I just tell them time is ticking. Most achieve it. But some clearly make a brilliant ride in eight seconds.

That’s how TUFF begins. TUFF stands for The Ultimate Flash Fiction. We’ve been discussing it at the Saloon and over at D.’s ShiftnShake, where she schools us on the tool and craft. You take all your craft skills and hit the keys like you were riding a bull for eight seconds. Some call it the “hot pen” method of writing when you press the ink to the paper and don’t let up for the duration. Every writer needs to grow comfortable with drafting. It’s a vital part of art where the brain editor is told to sit down in the stands, shut up, and watch the ride. Like bull riders, some writers are addicted to the rush of drafting.

Ah, yes. And that’s why what follows next is revision. TUFF takes a writer from a fast draft to a reduction in words, forcing the writer to cut and think and get creative with editing (yes, that stuffy old brain editor can be creative, too). In the end, the writer gets to rebuild that draft. The final polished story should look, read, and feel different from that first wild write. TUFF judges are looking for the courage to submit a fast draft, the ability to revise through reduction, and will expect a polished and transformed final story.

TUFF takes place on MONDAYS here at the Ranch at the Saddle Up Saloon. Kid and Pal are taking a trail ride to enjoy the fall foliage and beans over a campfire. I’ll be hosting TUFF every Monday — October 5, 12, 19, and 26. It’s a progressive contest, and all four parts will be turned in the last week of the Rodeo.

And expect western themes throughout October!

It’s my delight to introduce you to our esteemed 2020 Rodeo Leaders who all agreed that the Rodeo would be held out in the Wild, Wild West. Each leader will host their contest on their home turf and Carrot Ranch will reblog their contest post here so you can easily find where to go next. Rodeo contests will release every TUESDAY while our Ranch Columnists take a break with Kid and Pal.

WELCOME TO THE SHOW! (We’ll let Houston get us pumped up for the 2020 Carrot Ranch Flash Fiction Rodeo):

First out of the gate, writing speculative fiction from a fog-enshrined river and overstuffed little house, Kerry E.B. Black! Join her at the Allusionary Assembly on Tuesday, October 6 to have fun with folklore and fables, a staple of storytelling around campfires.

Next up, inventing new forms from the West, Prose-Metrist, Novelist, & Word Witch, Colleen Chesebro has a challenge unlike any other. She created a double ennead syllabic poetry form for the Ranch! If it sounds complicated, hold onto your hats, buckaroos — you’ll be learning the ropes as Colleen puts you through the paces on Tuesday, October 13.

That’s not all, folks! We have Marsha Ingrao, a teacher and educational consultant of twenty-five years, to git us movin’ along. She’s inspired the little doggies from the 2020 Carrot Ranch Flash Fiction Rodeo Playlist. You can learn more at her Always Write blog to start writin’ Monday, October 20.

Finally, wrapping up the contest entries is a treasure of a flash fiction writer by night and paper pusher by day, Sam “Goldie”  Kirk. Goldie combine a photo and phrase prompt, so don’t miss your last chance to enter the Rodeo on Tuesday, October 27. We will end on a golden note!

I want to thank our Leaders for stepping up to develop and host a contest on their blog. Kerry, Colleen, Marsha, and Goldie have shared their enthusiasm and creativity to bring you all a fun and challenging Flash Fiction Rodeo. I greatly appreciate their willingness to collaborate. Each will have their own set of rules and criteria to guide their hand-picked judges. You will find out more as each contest unfolds. Pay close attention to the rules and turn in your best work.

There are no fees to enter. You may enter one submission per contest. Judges will pick one winner in each contest for a $25 top prize (announcement dates vary between contests). The top entries will be be published on a permanent page at Carrot Ranch under the 2020 Rodeo Collection and we ask that you refrain from posting your entry on your blog or in social media until after the judging period (we judge entries blind).

In the meantime, challenges continue. Encourage each other in the comments, welcome new writers, and try to visit three sites to share the blog-love. Thank you for a fabulous community!

October 1, 2020, prompt: In 99 words (no more, no less), write a story that happens on the dusty trail. It can take place anywhere. Who is your character, where are they going, and why? Bonus points if they meet up with Kid and Pal from D. Avery’s Ranch Yarns and Saddle Up Saloon (they hit the trail so TUFF could take over the saloon). Go where the prompt leads!

Respond by October 6, 2020. Use the comment section below to share, read, and be social. You may leave a link, pingback, or story in the comments. If you want to be published in the weekly collection, please use the form.  Rules & Guidelines.

Submissions are now closed. See our latest challenge to enter.

Outlaws on the Dusty Trail by Charli Mills

Frankie wiped her glass eye with the scarf she used to cover her face.

“Gotta mask up, Bert,” she told her horse (who wasn’t listening). “Dang dust.”

The dry storm blew like a devil whirling across the flats. Ahead, Frankie made out the outline of riders that looked to her one eye like two outlaws. They were wearin’ masks, too! She tightened the rains and thought about lunging old Bert to keep the mail safe (Bert had no run left in him).

“Hey, it’s Frankie.”

Blowing dust and relief, she realized it were jist her friends, Kid and Pal.