The west-facing wall of my Unicorn Room holds two important developmental tools of my craft. A three-foot by three-foot cork board displays a visual representation of the plot and character arc for my thesis novel and a similar-sized white board shows the bones of a story in progress. One is a Vision Board and the other a W-storyboard. Above the W, purple vinyl letters on shell-pink paint read, “No mud, no lotus.”

This quote, the title of Thich Nhat Hanh’s book on mindful living, reminds me to embrace the mud required to write books from within the depths of my mind, heart, and soul. Some might mistake my long process for perfectionism. That is not what I seek in my writing. I aim for truth which takes years of diving into the mud, trusting the lotus to bloom.

Not everyone writes the same way. Some barely process at all and yet, make wonders of surface material. I think of writers who naturally observe the details of people and write stories — drama, horror, comedy — with flair and ease. Others write with intellect, emotion, or both. Some dabble when the mood strikes. Many follow the story that begs for release.

No matter planner, pantser, or plantser, every writer encounters mud.

Planners do exactly what it sounds like they do — they plan. I hold an image of my eldest in mind. From an early age, she planned her life in lists. She journals and monitors data. When she was 12, she convinced me to track the number of infant and mother mortalities in the graveyards where I collected stories. She wanted to track and discern. Today she works for a science data organization, planning communications between scientists and media. She plans before she writes with the precision of a Dungeon Master.

Pantsers are the free-spirited writers chasing the lead of a story by the seat of their pants. Pantsers live in perpetual media res. They don’t know the beginning or the end, they write what comes to them and follow what unfolds. They don’t know the plot; that’s what they are writing to discover. They love their characters and fall in love with the dozens more that step out onto their pages. They don’t whip the WIP, they ride it into the sunset.

Plantsers combine the elements of planning with the discovery of free-writing. Some plantsers outline from the beginning and others track their plot as it unfolds. Every writer eventually comes to terms with the reality of needing both attributes. Planners have to draft their plans and pantsers have to frame their drafts. Both will come to a tentative, “The End,” and require a Revision Plan. It’s revision that confounds many writers. But we aren’t there yet.

We are talking mud because it’s time to embrace the suck, which is warrior slang for accepting the friction that comes from facing the unpleasant inevitable. Writers face the mud when planning or pantsing stalls. No matter your best laid plans or your pages of drafting, the story will get stuck. It’s part of the process. We anticipate mud this time of year because it is NaNoPlaNo. Time to plan (yes, Pantsers, this includes you) for National Novel Writing Month.

This year, Carrot Ranch will be a NaNoWriMo Mentor. Once a week, I’ll offer tips and encouragement to participants, which will be useful for all writers beyond the month-long event. I’ve started The Congress of Rough Writers group at NaNoWriMo and if you want to join, you need to send me your official member handle at the site. If you have never NaNoed before and want to go for it, I’ll help you get started. Email me at wordsforpeople@gmail.com. I’m a huge fan of the event and organization. NaNoWriMo is an incubator, global community, and the best writing tool for drafting (yes, Planners, this tool is for you, too).

The reason I have a Vision Board and W-Storyboard mounted on the wall opposite from where I meditate and commune with Unicorns is because I want/need kinesthetic tools for my craft. I interact with both boards, involving my body in the mind and heart process of writing. I also create music playlists and dance when I’m stuck mentally. I believe in mudding tools.

99-words is a tool, too. NaNoWriMo is sixteen 99-word stories a day. It takes five minutes to draft 99-words, so roughly it will take an hour and a half to write 1,667 words a day. That’s speed drafting, which happens on the good days. Count on three hours of writing on the slowest days. NaNoWriMo teaches you the value of stick-to-it-ness. In 30 days you will have gone from 99 words to 50,000.

The best way to deal with the mud is to plan for it (settle down, Planners; stop whining Pantsers).

I may as well say it. “Hi, I’m Charli Mills and I’m a recovering Pantser.” My deep processing and pantsing inclination seemed a match made in Muse Heaven but not so. They languished, lost in the wilderness of never-ending-stories. I’ve learned to use planning for my deep processing and to allow pantsing during dream time (pre-writing phase) and scheduled drafting stints. My profs were right — never again will I draft a novel without a Plan. My MFA program introduced me to tools and I will share some of them with you. I encourage you to explore each one, try them on, and keep what fits. I’ve created my own hybrid of planning starting with the simple and ending with the complexity of combined plot and character arc that I can map on my W.

NaNoPlaNo (Planning for Drafting)

• First, test your premise.
• Story Spine is a simple structure for stories of any length: Jumpstart Your Story.
• Plots are structure: Nine Basic Plots.
• Combine plot with character arc: Worksheet based on Lisa Cron’s Story Genius
• Outline your novel: 8 Ways to Outline
• Use storyboards: Storyboarding
• Develop a character arc: How to Create One

A few other resources can help you in the planning phase, or be used as references throughout your drafting. One is TV Tropes. We’ve used this resource at Carrot Ranch to develop wickedly fun and unexpected prompts during the TUFF challenges. It details genres you didn’t even know existed. It’s a great way to jumpstart plotting or character development. The other is a Name Generator. There is nothing worse than getting stuck in the mud because you can’t come up with a quick name for the character who just walked onto the page.

I’d like to welcome any writers from Finlandia, especially those in Helsinki Slang, the university writing group. I’ll be planning weekly NaNoWriMo Write-ins with our fabulous campus library and providing a Zoom Room for any Carrot Ranchers who want to write-in, too. If you have NaNoWriMo questions, you can add them to the comments and stories below. If anyone in the community wants to answer, please join in! We all embrace the power of diverse perspectives and lived experiences at the Ranch.

And before we embrace the mud, please note the extended deadline. I will be on the North Shore of my beloved Lady Lake Superior for a week in Two Harbors, Minnesota with a dear Minneapolis friend who has a condo. I get to teach classes via Zoom and sit by the fireplace in between hikes, train rides, agate hunting, and working on client projects. I’m currently wrapping up a book I’ve been researching and editing since June and have two days to finish it. And I survived my first mid-term grading period.

Life is good, though muddy at times.

“Without suffering, there’s no happiness. So we shouldn’t discriminate against the mud. We have to learn how to embrace and cradle our own suffering and the suffering of the world, with a lot of tenderness.”

~ Thích Nhất Hạnh

Take a walk in the cemetery with me. Come on, it’s October, a time of seasonal transition in both hemispheres, and I’m itching to catch stories. Gravestones contain the tales of people who once lived where we do. History for those who can read between the rows of marble and lines etched in stone.

Many writers tingle at the mention of a local bookstore. Others revere libraries. Me, I’m a cemetery geek through and through. And what could be better than a local National Park offering a tour of the dead and buried? A tour led by a local historian and fellow graveyard geek.

Meet Ranger Lynette of the Keweenaw National Historic Park.

Full disclosure: Ranger L is my hero. She not only researches, she gathers stories and allows them to haunt her the way writers work with characters. I could sit late into the night and listen to her collected stories of the Keweenaw.

When the KNHP advertised fall tours of Lake View Cemetery on the fringes of Calumet, I felt a jolt of excitement. I knew October was going to be a busy slog into the long winter, so I decided to take a guided evening stroll among 35,000 buried stories. The cemetery is so large that our tour clocked over a mile of walking.

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We began at the veterans section where one stately memorial honored soldiers of the Civil and Spanish Wars and a block of granite acknowledge the burials of other soldiers with missing markers. Ranger L pointed out the marker of Louis Schweigert. Behind his white marble veteran’s grave were the plots of most of his family. Except daughter Caroline, who remains buried at Schoolcraft Cemetery on the other side of Calumet. On June 17, 1873 the seven-year-old girl was found murdered, leading to several accusations and one questionable confession by a teen nephew who later claimed he did not do the foul deed. To this day, her murder remains a mystery. I find it sad and curious that she is interred alone elsewhere. I foresee a headstone hunt in the abandoned cemetery next spring, and archive diving over winter. Ranger L has been researching the murders of women in the Copper Country.

Justice whispers on the wind through the cemetery trees.

Lake View is divided into two cemeteries, one Catholic and one Protestant. Immigrants on both sides abound. The copper mines attracted families seeking work and a better life. That life didn’t always turn out. For the first time, I paid respects to the victims of the Italian Hall Disaster.

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Copper mines took advantage of workers and families lost homes when mining accidents claimed the lives of husbands. The company owned everything — the land, the ore, the houses, the stores. Miners went on strike for fairer conditions in July 1913. By Christmas, children were suffering the impact of the strike and Big Annie gathered other women who had fought along side their men to host a Christmas party for the children at the Italian Hall. Mothers and children from various faiths and countries attended. When a thug yelled, “Fire!” a crush of women and children fled and perished in the stairwell. This disaster still hangs over the Copper Country.

Stories from cemeteries are not all horrific, though. We can learn much through the observation of icons. Hands, for example. It’s common for one spouse to hold hands with another on a grave marker. Have you ever noticed different cuffs? One is a wife, the other a husband. Today, we could have same cuffs on a grave which society would have denied. Some hands, like the one below, reveal secret handshakes. Today, we could engrave fist bumps.

Someone took great pains to decorate a marker with pebbles from Lake Superior (and ,yeas, I examined all the rocks eagerly). Ranger L referred to such markers as folk art. Today, cemetery associations forbid home-made gravestones, including hand-carved slabs of Jacobsville Sandstone.

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Some cultures included porcelain photographs on gravestones. They are not common to the cemeteries I’ve studied out west, but Lake View has several.

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Veterans are often buried in family plots beyond the military section. I keep an eye out for the bronzed or marble markers. I feel a sense of relief when I see a person lived beyond their combat era. Those who died in combat compel me to look up their units and battle records. Of course, I’m always keen to find military graves of women.

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The occasional beer can shows up and I wonder if the resident chipmunks had a party while gathering acorns or if a friend left a cold one.

Cemetery humor is a must for breaking up the sadness of life and the spookiness of wandering among the dead. I laughed when I saw the last name of Geist so proudly proclaimed. Is this where they buried Polter? I hope not! Moving on I noticed the curious coverings on more modern graves. Ranger L explained that families often “winterize” graves, urns and solar lights. I also look for character names. Bessie Bloy is a great name, don’t you think?

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Stories are the hallmark of any cemetery. Ranger L’s astute sleuthing uncovered not only the grave of a Titanic survivor, but that of one buried at sea. The story goes, Anges Edwards of Cornwall had a grown son working the mines of Kearsarge (near Calumet). Recently widowed with two sons at home, one a boy, the other a young man of 20, she sold her home and bought passage on the Titanic. She awoke when the ship struck the fateful iceberg. The stewards told her to remain in her berth but curiosity drove them to go up deck. She and her boy were placed in the third lifeboat. She begged for them to let her older son come with her. The boat was hardly full and when lowered, other men, giving into their instinct to live, climbed or leapt into the lowering boats. Her son, Joseph Nicholls, died that night. His marker rests beside hers.

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As we neared the end of our tour, Ranger L pointed out a tombstone with a book that read, “Mother.” I took a writerly interest in the feature although it likely symbolizes that Mother’s book is complete.

The final whisper of the evening came from the living. An elderly man reached high into a tree to pluck seed pods. Curious, I asked him about it. He broke apart the pod to reveal the seeds of hophornbeam (ironwood). He told me that he plants tree seeds where the mines left behind barren poor rock. I found that an interesting act, to plant something one would never live to see. An act of faith. Appropriate ending for our tour. Thank you for joining me!

I might as well be floating on water. The day that unfolded was the kind of perfect pool day you can find anywhere in the world when stars, weather, and serendipity aligns. This was a happy chance of a day and I’m buoyant.

Remember last week when I showed up early for the Angeline Boulley presentation because I was so excited? Well, the actual event happened today. And it exceeded my expectations. Today was a good day to be a writer.

First, I dismissed myself early from class to give them privacy to complete teacher evaluations. It was a novelty to be the one cutting out early. One of my students, a natural at creative writing, gathered the evals and delivered them. ENG I received an early lesson in analytical essays to prepare for a late-in-the-lesson-plan decision to watch a movie next week, Indian Horse. We learned about Orange Shirt Day (September 30) and I wanted my class to be prepared in case Ms. Boulley or any of our Anishinaabe community arrived wearing orange. It sparked a discussion about residential schools and I decided that we could watch Indian Horse and use analysis to compare the movie to the Fire Keeper’s Daughter.

After class, I hung out in my office to work on emails and grades. I had a brief meeting with my SBA rep and we set up accounting processes for Carrot Ranch. A big step for the future. It seems that writers are familiar with big steps and long waits. That’s how it goes. We might long for linear time to unfold according to our expectations but what happens with our work, happens when it happens. We take care of details when we can. Carrot Ranch is open for business, has a Tax ID number, but not ready for business yet! The Thirty and new workshops begin in 2022.

The sun lingered warm in a blue sky over red-tinged autumn leaves. I enjoyed the warmth of sunshine as I walked the campus to a small chapel with outdoor picnic tables. One of our school’s PhDs who teach English full-time was reviving a university writing group that had gone dormant with the pandemic. The group is called Helsinki Slang and we are expanding to include staff and even local writers. We discussed ways we can make our writing experience rewarding and accountable. Some may join us here at the Ranch! Talking to students interested in writing felt like sunshine on my soul.

When the event time neared, I was ready! And Ms. Boulley was delayed. If you’ve ever had to cross the Upper Peninsula, you’d understand that our roads are long. We decided to do the book signing afterward and let people gather in the Finnish American Heritage Center. Waiting allowed the jitters to set in, but I chatted with friends from the surrounding communities, including one of the Grandmother’s from the People of the Heart Water Walk. Then, Angeline Boulley walked in, strong and confident, dressed in black with a felt hat beaded in Ojibwe style woodland flowers, including orange.

The honor of introducing Ms. Boulley was mine, a gift from my University for being the instructor who was teaching her book. I wanted to get it right —

We can honor the heritage of people and place any time we gather. I’m here to welcome Angeline Boulley to our place of rich lineage. Welcome to Anishinaabe Homelands, to 1854 Ojibwe Ceded Territory, to the U.P. of MI, to the Keweenaw Peninsula, to Hancock, to Finlandia University, to the Finnish American Cultural Heritage Center.

September 30, 2021

I think I got most of it right. I think I got it in the order I meant. I did look at her directly to make the welcome. After that I babbled. I felt breathless and realized I was reading a passage from her book because I was in full fangirl mode, raving about how masterful her writing is. I’m grateful to have a generous community who allowed me this lapse of professionalism. One friend snapped a photo of me and when I saw it, I realized I had forgotten to remove my mask to speak! I honestly don’t recall much of that moment.

Ms. Boulley took to the stage with grace and shared her writing story. You can find much of what she said in this article Tribal Business News, including that she accepted a seven-figure offer after a 12-publisher bidding for her manuscript. The next day the film rights to a Netflix series sold to Higher Ground, the organization founded by Michelle and Barack Obama. Besides the gobs of money, Ms. Boulley also got rights to call shots on development which is not something authors get. It mattered to her, though, that Native American artists, film crew, and actors be vetted by her to include broader diversity. Ojibwe artist, Moses Lunham, created the stunning cover of her book.

What Ms. Boulley spoke of during her presentation was perseverance and belief in your own skillset as a storyteller. She came up with her story idea when she was 18, but sagely points out that she had to live a life first. It took her ten years to write her book. She worked in government and became the Director of Indian Education, living in the D.C. area. In her job, she successfully wrote grants, which she equates to writing narratives. After she wrote her first draft, she began to focus on improving craft elements. In an MFA program, this is what we call working a Revision Plan. She then began applying for mentorships and was accepted into one, high quality feedback.

Now, Ms Boulley is on deadline to complete a second novel in ten months. The difference, she explained, is that ten years taught her about novel writing. Every writer goes through education whether formal or not. Authors don’t magically emerge one day without a long history of work and learning. Ms. Boulley was 55 when she published the book she thought up at age 18.

After the presentation, people lined-up for her book signing. Again, the sun shed its warm light on us all. I was last in line, listening to snippets of conversation. She signed my book and I asked her if she wanted to go have drinks or get some food. She said yes! I texted T. Marie Bertineau who had just left and told her to meet us at a local Italian restaurant, and someone from a local book club asked to join in so we made it a party!

The way I figure it, we all need to eat and it was too perfect of a day to not go eat with the two authors whose books I’m teaching in my two classes. Both Indigenous women. Both correcting the course that has traditionally shut out Native voices. Dinner was long and slow, the night magical. I got to find out what an author buys with “book money” — a hot red BMW with vanity plates proclaiming, Daunis. Ms. Boulley’s protagonist.

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It’s time to cool off after a hot day in the Keweenaw!

Also, congratulations to editors, Colleen M. Chesebro and JulesPaige, and to all the poets set to publish October 1 in the inaugural Word Weaving poetry journal, Moons of Autumn.

“Maple leaves turn red first.” One of my Warrior Sisters pointed across the Houghton Canal to a ridge of woods flashing autumn colors. I’m not familiar enough with the North Woods to repeat the assertion, but it reminds me of something an organic farmer once told me in Minnesota. “White flowers emerge first.”

Whether you live where spring has sprung or fall has descended, we have crested the equinox.

The Keweenaw is my community. My home. Home is turning colors and though uncertain about what transitions come next, I’m ready. Ready as a birch tree. Recently I hiked Quincy Hill, pausing to catch my breath and thoughts alongside a pair of birch. As I palmed twin trunks and leaned forward, the trees flexed. Strength comes with flexibility to withstand the winds. I felt solid on my peninsula, holding on, swaying, and trusting what comes of roots.

Here is where I plant mine. I’m a California Girl, long gone from the state that still holds nine generations of my family. I’m a Montana Transplant far from the Queen City of the Rockies. I’ve lived in Minnesota, Wisconsin, Iowa, Kansas, Idaho, Washington, Oregon, Nevada, Utah, New Mexico, Arizona and Nebraska where my third great grand-uncle got himself shot by Wild Bill Hickok. My feet are in Michigan, and sometimes in Vermont.

I’m from everywhere and nowhere. So I follow the People of the Heart.

In Michigan, that means the Good People, the Indigenous, the Anishinaabe and the Finns. Two cultures who know their roots and their mother tongue. In Vermont, I follow the old roots of mountain people who know who they are and live in accordance with nature. Ultimately, that is always where I feel at home — in nature.

For practical purposes, I’m sorting out possibilities on the Keweenaw. One is that I can buy the Roberts Street House from my Wounded Warrior who can’t stay still any longer. I told him this was the last move for me. I’m done rambling about. I’m not a young tumbleweed anymore. I have students, an office, miles of rocky shoreline, friends, veteran community. I have a Ranch and a determination to have writers in residence when the leaves turn red. I have intentions to return annually to Vermont. Maybe see down under, one day. Catch a flower when my leaves fall.

Now is muddy but mud makes bricks and bricks build stories. I’m at peace and feel joy in my heart.

Today, I coerced college students into a discussion, promising them early release if everyone participated and answered the questions. If not, I told them what they already know — I can fill up the time, talking. They all participated and came up with the insight that heavy topics in literature are bearable — even enjoyable to read — when the protagonist balances conflict with perseverance. They also learned I’m not great with dates on a calendar.

Thinking I had the date right, I dressed with intention, wearing a stunning pair of Anishinaabe earrings, a dark green dress, tights and bronze shoes. I had been asked to introduce Angeline Boulley, a great honor. I carefully crafted an introduction to recognize the 1854 Ceded Territory of the Ojibwe. My only mistake was the date. She’s presenting to our University next Thursday.

Linear time was not made for the likes of me. But I manage.

It wasn’t a bust. My Warrior Sisters met at the canal-side home of one of ours, enjoying the patio, water and company. I was too nervous to eat much and left early to the presentation that was not yet. Happily, I returned to the patio party and ate more! We watched a loon fly and the Ranger III pass beneath the Lift Bridge. In the video, you can hear us chattering as we film the ship. One of my WS’s tells me that she got caught on the bridge during a lift! Do not underestimate Vietnam Veteran Spouses. These Ladies are my role models. They are resilient and fun to be around.

Typically, the Ranch would be decked out for the Flash Fiction Rodeo. This year, I’m taking a hiatus from the Rodeo to finish unfinished feedback and think through what next. I dream big and broad and need to decide what is manageable, what supports the Carrot Ranch Literary Community, and what services will be my bread and beans. I want to simplify with meaningful opportunities for writers and time for my writing, coaching and teaching.

I’m grateful to our Rodeo Leaders, Judges, Patrons, and Columnists. In the language of my borrowed home, Chi Miiwech! Big thank you! I’m grateful for the Saddle Up Saloon and our Poets. We are growing, not shrinking. But we are growing mindfully. In fact, we have a new installment to offer at the Saddle Up Saloon where characters run the place.

While kayaking, or maybe it was by the campfire, or over a non-competitive game of Scrabble, D. Avery came up with a way to spotlight the many authors we have in and about the Ranch.

In October, we are introducing the Carrot Ranch Author’s Chair. Did you ever get to sit in one in grade school? D. recalls that many elementary school classrooms had a special chair where a young writer would read their work to their cohort. When finished they would announce, “I’m ready for questions or comments.” 

The Carrot Ranch Author’s Chair will be a regular feature at the Saddle Up Saloon. Anyone can volunteer to take part; anything can be read, including previously published or prompted pieces. Pick something that is important or memorable for you. Send the text, audio or video recording, and some background to the piece to D. Avery (shiftnshake@dslayton.com) for posting on a second Monday at the Saloon.  

We want to encourage reader interaction and invite the community to ask questions of the featured author. A week after posting, we will randomly draw a name from those who asked questions to offer a free book from the Carrot Ranch Community. Shorty will pick the book and mail it to the winner (this is also a way to support our published authors). Kid and Pal will introduce the featured author. We encourage you to send a voice recording (YouTube or SoundCloud). Get signed up with D.!

In October, I have a heavy load of client work, updates, midterms (to grade!), and a week on the Northshore of Lake Superior (Minnesota). If anyone is interested in being a guest challenge host, let me know (wordsforpeople@gmail.com). Otherwise, I will have a two-week challenge mid-month.

To prepare for the Carrot Ranch Author’s Chair, we are all going to take a seat this week.

September silence settles over the Keweenaw with misty rain. Pockets of tourists remain but the din of extra folks cruising the peninsula subsides. The woods exhale, the waves churn, and when the clouds part in the cool of night, the Milky Way burns bright.

With the equinox (fall in the northern hemisphere and spring in the southern) lining up next week, I felt the call of the wild to bring balance to all my professional pursuits. A camping trip was in order, a return to the sandy side of the Keweenaw.

Packing my car required a choice — camp kitchen, tent and comforts or kayak? Alas I could not fit it all. Comforts, by the way, include an array of layers for fluctuating temperatures, pillows, camp chair and firewood. My kayak stayed behind this trip with a promise to glide the Bete Grise sloughs before autumn leaves fall from their trees.

My friend, C, joined me at the old mink farm in Schoolcraft Township where a rustic campground offers ten sites along Big Traverse Bay not far from the desolate black sands of Gay. On an arc of golden sand, we set up at campsite #1. A family occupied #4, and the memory of a summer visit still warm in my veins lingered at #5. It was a quiet campground weekend, perfect for rituals of release.

C is a grief counselor who sits with people’s deepest losses and excruciating emotional pain. She led community workshops at her Ripley Falls Home of Healing before the 2018 Father’s Day flood and landslide hit her house. It’s livable but far from restored. Her backyard is filled with rubble from the landslide. When she was ready to begin workshops, the Pandemic hit. We’ve experienced parallel disasters, hers natural and mine veteran caused.

Together, we’d form a weekend retreat for two to release the trauma of homelessness and open up to the hope for a better future. We both live with uncertainty instead of stability on the home-front and yet we both work to help others find purpose in healing and writing. We needed to find our own healing path.

On Friday, after my last class at Finlandia for the week, we arrived to sunshine, wind, and crashing waves. We set up camp and I got into a battle with the ants. That entire spit of sand must be an ant metropolis! I struggled to find a flat spot to perch my tent without getting swarmed. Finally, we found a truce and I pitched my tent in the trail to the beach. Once settled, I headed to the waves. The frothy rollers reared up and the sun shone through like a lens. I tried to wade but water pummeled my legs with sand and riptides rippled beneath my feet.

That night we ate kale salads and cauliflower soup next to a fire that danced in the wind. Our campsite had a deep metal fire ring on a sandy knoll out of the trees and we watched it closely. The brighter the stars got, the less the wind blew. Finally, we had nothing but embers and shooting stars. We expected rain the next day and we decided to read in our individual tents until it eased.

We woke up to sunshine, not a rain cloud in the sky. That’s Lady Lake Superior’s doing. Hard to predict her impact. She was calm and inviting that day, showing ripples in the sand beneath her water where she had danced forcibly the day before. Many ripples held small stones. I bobbed in the water and then floated above the curious little pieces of quartz and sandstone. Leg cramps drove me to seek the warm sand of shore and I reluctantly left my mindless float.

Sand flies found my ankles until I buried my feet in the sand. Ants ran every direction in a frenzy of gathering food. I began to wonder if their scurrying meant a rough winter ahead. But like most things in my life at this moment, I’m trying to stick to the here and now. What is coming will unfold with or without worry. It was sunny and ants were foraging. Nothing to be concerned about. With curiosity, I watched them.

Later that day we held our ritual of release, naming emotions and circumstances to let go. We chanted with a singing bowl, and C’s dachshund howled, the higher our pitch. We smudged with sage and built cairns of our tiny collected rocks. We journaled and fixed beans for dinner, burning birch bark letters of release. Then the rain came. We retreated to our tents. Despite the beauty of the day, I found it difficult to shake the sadness.

Raindrops.

Raindrops.

Raindrops.

Each a meditation. Each a prayer.

And then a cotton candy sunrise broke through the mist and clouds. The rain stopped. The Lake let out misty breath caught by a warming sun of pink and gold. The sadness lifted but I felt no joy. Just emptiness. Until the Big Black Horse arrived.

At a particular moment, I decided to walk not to the beach, but rather to the road. I had heard the gronking of sandhill cranes and followed their call, hoping for one last sighting before they left. C and her dog still slept. The other campers had left, maybe the night before when the rain came. No one was around. No one. Then the distant rumble of a truck. I could see a trailer hitched and surprised it was not an RV but a livestock hauler. When I woman stepped out of the truck, my heart soared.

To me, it was a Captain Marvel moment. The one where Carol Danvers decides to rise…again. I took it as a sign to rise and claim my joy. I had released and now I was about to receive. A new door opened. In fact, I asked if I could help open that door. To the trailer, that is. She said yes and I helped her with a new horse and an enthusiastic golden retriever pup. She was experienced and courageous, taking the horse to the lake for introductions. I followed with the pup.

Meanwhile, C woke up and ventured to the beach. She told me later she saw a most beautiful sight — two women, a Big Black Horse and a dog. She wanted to wake me up, thinking I needed to see this vision. She had her phone so she filmed it for me before realizing I was one of the women.

There’s a reason the Indigenous call horses “big medicine.” You have to build trust with a horse. The woman I met was dedicated to that, leading her horse to water, walking her in the sand, familiarizing her with new territory. Eventually, she mounted the Big Black Horse and and walked the campground. I secured her dog in her truck, told her to honk when she got back if she needed a hand loading her horse. And off they rode.

I was beaming. Horse medicine is a always a good sign to me.

It’s been a good week at school. I danced for one of my classes. They laughed. I promised them a “sun” day on Monday. Weather Predictors are predicting sunny and 81 degrees F. I’m scheduling class outside on the green to read or work on research on their laptops. I will give them yoga and poetry (Joy Harjo) breaks! My other class shared their 99 word stories. It was interesting to note that the number one fear students expressed was that they “did it wrong.” I’m teaching them that recognizing their differences from the norms is the beginning of realizing their unique voice.

Tomorrow, I’m wearing a dress (again) and starting to get used to it. We get stiff when stuck in patterns. We need stability and framework but we also need flexibility and freedom to grow. I might dance again. Twirl my skirt. If I do, this is the song, I’ll be stepping out to:

My class discussion flopped today. Despite preparation in class and posting discussion questions in advanced, none of my ENG I students prepared. It was a stark contrast to ENG II where the discussions have been thoughtful, deep and my students brave in offering up stories of their own to share. I think if I had showed up with pliers to pull teeth, the class would have been easier.

At first, I thought I might respond with a pop quiz to see if they are even reading the book. A few students displayed knowledge of the story. But pop quizzes feel punitive. I realized, I’m the teacher and I need a different tool. Maybe they aren’t engaged, or maybe they don’t know what is expected of them in a discussion group. That job falls to me.

This is the same class who groans over flash fiction. On Tuesday, none groaned. A few even appeared eager. And I can already see the difference between

Next week we are going to watch Brené Brown’s classic TedTalk on vulnerability and I plan to use it as a practice discussion. Plus, the message might help some get over their reluctance to speak up. For the next book discussion, I’m going to require each student to read one passage (of their choosing) and say why they selected it. We’ll see how it goes. I’m still learning, too! And I understand feeling vulnerable as a new college prof.

Since we can all use a little Brené Brown inspiration in our lives, here’s a refresher on vulnerability.

After class today, I drove to a friend’s house who is also a writing client whom I coach. She’s an authorpreneur working on several creative projects at once and wants to have accountability for her progress. She also knows that she doesn’t know everything she needs to be successful. I thrive on coaching people with a vision. Many people find vision work too vulnerable and prefer stumbling around in the dark. If you don’t know what success and the work is to get there, then you don’t have to be accountable for a lack of success. I get it. It scares me to share my vision work because if I don’t do it, everyone knows I failed. But I believe less and less in failure. (Thank you, Norah Colvin, for introducing me to the growth mindset that says, “not yet.”)

Everything becomes possible when you can say, “not yet,” until you can declare “done it!”

When I was in school, learning effective ways to teach creative writing, I didn’t think I’d make it to a university campus. Maybe, I thought, after I published a few books. Even though many colleges are hiring adjuncts (a fancy academic way of saying faculty hired on contract), they still want to see university classroom experience. I get that, too! My learning curve as a newbie is huge and some days I get butterflies in my stomach riding that arc.

I’m learning technology, systems, access, resources, and responsibilities. I’m finding out that I’m responsible to track academic success and alert the college about struggling students, yet, intuitively, I was already doing that. Now I know there is a formal process. I had already set up a meeting with a struggling student and planned to coach him to get back on track. It is not failure to delay or get lost. Yet, it takes courage to get back into the game.

By January, I plan to embark on a journey with a motivated cohort of writers I’m calling The Thirty. Thirty writers will participate in a group coaching experience for a year to practice craft, strategy, critique and platform construction in real time with real submissions and real feedback. This will be the foundation of an education platform I want to build with writers from our community. Carrot Ranch will remain a place of mentoring and fellowship but also give me a launching pad for my next career move.

But I don’t want to get too far ahead of myself. I’m working on small steps and incremental development. I’ve always believed that we should love what we do and do what we love. I also find it exciting that when we follow our vision, we evolve and what we love becomes more accessible. I don’t believe we ever change dreams; I believe we refine dreams as we grow.

My ENG I class is reading The Fire Keeper’s Daughter by Angeline Boulley. The author has a fantastic story of perseverance as a writer. You can listen to her here:

Coming off my learning curve this week, I’m going to make a left turn with the prompt. I had been thinking about an event I loved when I worked in the natural food industry in the Twin Cities. The Mall of America, known regionally as the MOA, hosted a live cooking show where local celebrity chefs competed to prepare a series of dishes using a fully stocked pantry and unexpected food ingredients, like beef tongue or purple cauliflower or quinoa. It was always great fun (accept for that one year the MOA received a bomb threat and the chefs and hosts were whisked away to a safe room while the rest of us contemplated our lack of social standing, left to be potentially blown to bits, though nothing came of the threat and the show resumed).

Anyhow, after a week of prompting my students, I’m feeling inspired!

Honey bees work the pollen from the nodding heads of the sole Lemon Queen in my garden. Only one grew — a volunteer — but the sunflower has over twenty heads. Soon, the petals will shrivel, drop to Roberts Street, and seeds will form to feed the winter birds. So many gifts grew from a determined single seed that fell to a mosaic of garnets. Rocks, flowers, and veg frame hope and potential.

Growth is good.

In the hallways of Finlandia University, I passed a corkboard display to explain the difference between a fixed and growth mindset. I smiled, passing the colorful artwork and encouraging message, aware that I’m walking the right halls. I lugged an armload of binders and notebooks having learned something new — I can better use technology for homework assignments.

Bees must strategize to collect pollen from different flowers. Sunflowers must be easy pollen picking. Hummingbirds are buzzing, too. Soon they will make a long migration to winter grounds. They flit among my petunias and one even poked at lobelia. I can’t imagine much nectar in such a tiny flower, but I admire the tenacity to try. Just as I respect my students who are beginning their own journeys to collect pollen and discover who they are in the world.

I don’t think they like flash fiction. And I say this with a chuckle because I know that a few might be converts by the end of the course, many will be relieved to have survived it, and others will carry forward all the writing lessons they need in building blocks they can re-use. I’m beginning to enjoy the sounds of groans, opening notebooks, and the silence of pens across paper. I can’t make them listen to me. I can’t make them engage with all the resources I provide. But I can make them write in class.

Despite the unpopularity of my favorite form of literary art, I do think they are opening up to the novel I selected for them to read (Fire Keeper‘s Daughter by Angeline Boulley) and they are all deeply thoughtful when they reflect in their journals. They have much writing to do in English I and I hope to show them the connections between craft and writing elements and the connection of academic writing to the world they navigate and the similarities of voice between essay and fiction writing.

As an instructor, I look to impart the material through different modalities. It was something I did as a trainer, too. Basically, we all learn through our senses, primarily visual, auditory, reading/writing, and kinesthetic. In education, we refer to these as the VARK learning styles, but in the workplace, many experts argue that people have more than a single preference. When I was learning to teach, my profs emphasized that we all learn better if given multimodal learning opportunities. It’s my belief that writers need to write to learn. Thus, my passion for the 99-word format.

However, many experts also point out that writing can’t be learned from writing alone. There must be engagement and a feedback loop. My students receive classroom lectures with my colorful and connected drawings of graphs on the board to “see” how craft elements and story structure works. Then, they “hear” the stories and craft elements in works I read aloud and then go back to point out the structure and elements at work. I give them written, digital, and auditory resources. Picking up a pencil and making them draft three flash fiction in 15 minutes is a kinesthetic act.

If I had a big van, I’d take them to Lady Superior with me and let them roam, explore and write descriptions or dialogs with the rushing water. I’d take them hiking and have them find a tree to interview. Most definitely, I’d load them up and take them to the Red Jacket Jamboree to experience a live radio show. On Sunday, I got to go listen to Ellis Delaney perform live.

What a delightful singer-songwriter and beacon of joy! During the show, I found out that Ellis participates in a weekly songwriting challenge among a group of music artists. I was wiggling in my chair with excitement to listen to her speak about the impact of inspiring and supporting one another through their art. Her song, “Not Everyone Fits” was written to the prompt, “prom dress.” As a non-binary person, the prompt was far from her life values, but she turned it into a powerful song. After the show we briefly connected and I asked if she had a link to the song. She expressed excitement over what we do here at Carrot Ranch.

The artists will save the world.

If ever we need art — and the thoughtful interaction and inspiration it creates — it is now. Gather up all the pollen you can, and write, write, write!