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Welcome back TUFF, rodeo writers!
By now, you’ve figured out you have an entire month to work on your flash fiction entry to TUFF (The Ultimate Flash Fiction). That might lull you into complacency. It might tempt you to disregard the contest until the very end (October 26 when the submission form goes live with the final part). Let me convince you otherwise.
Mastering TUFF in its flash fiction form teaches you the skills every fiction writer needs. We all have to draft and we all have to revise. TUFF can be a tool to work on your story with progressive word constraints.
Last week, in TUFF Part One, you drafted a 99-word story. Do. Not. Touch. It. A raw draft is a raw draft. Let it be. What comes next are the tools of your writing craft. Use the next two constraints to revise your final 99-word story. You can write that final 99-word revision 99 times if you’d like. But you can only turn in one, of course. This is where we start exploring and experimenting — with 59-words.
THE PART TWO TWIST
For this week’s addition to the TUFF contest, you will write TWO 59-word stories, reducing your original draft. In one 59-word story, reduce it using the original point of view. In the other 59-word story change the point of view.
It’s the same story, just smaller. You are tasked with picking and choosing the strongest elements from your 99-word draft. This makes you consider what is working, where your story’s focus is, and how to tell it.
Here is an example:
Saving Grace by Charl Mills (99-word draft)
Grace looped her right leg into the padded hook of her sidesaddle. Her long skirts without hoops nearly touched the ground. With war coming to New Mexico, camp guards eyed her skirts critically. If Grace felt threatened, she straightened her back and spoke her family name. But it wasn’t to her grandfather’s quarters she rode. A man in riding boots met her behind the row of soldiers’ tents. Rory O’Bannon. Her lips parted. He approached her skirts, reached beneath to touch her left ankle. She nearly swooned. Though her skirts were big enough to hide ammunition, she smuggled love-letters.
59-word Same POV
Grace rode sidesaddle into camp. Without hoops, her skirts hung low, catching the critical eye of guards. She straightened. “You dare touch the General’s granddaughter?” They let her pass. Before tea with Grandpa, she rode past the soldiers’ tents. Rory O’Bannon reached where guards dared not. He touched her ankle and her lips parted. Her skirts smuggled love letters.
59-word Different POV
I had to elude the guards with my contraband. Everyone knew who I was, but with war coming to New Mexico, suspicions grew. They couldn’t know I was meeting a Confederate soldier. Dressed in Union colors, Rory emerged from the tents near the woods. His touch beneath my skirts electrified me. I headed to Grandfather. My love letter delivered.
Notice how I used or omitted different details in each. That’s how you can use the POV tool. Often writers instinctually write in a POV that feels familiar. Maybe it’s what you read, or common to your genre. When you switch POV, the closeness to the character changes. First-person is more intimate but also limited. What I found interesting is that when I switch POVs, I had different ideas about the story pop into my head. You can use the 59-word constraint to explore different ideas, different POVs, or even different craft elements (notice that I added dialog to one of the reductions).
You can play with this story all month! Don’t touch the original draft, change up the final revision. And if you are just getting started, that’s fine — everyone has until November 1 (11:59 p.m. EST) to enter. There is no entry form yet. This is your time to process and be working on your final revision, using the reduction tools. Use the 59-word reduction as often or as differently as you want, but be prepared to only turn in TWO different 59-word POV reductions of your original draft.
Have fun! Check back next week for TUFF Part Three.
We are not accepting challenges, only contest entries. Weekly challenges continue every Friday at CarrotRanch.com/blog.
Please read the rules thoroughly. And join us tomorrow for Colleen Chesebro’s Rodeo Contest when it goes live.
- Your story must include western romance themes or tropes. See TVTropes.org for ideas wild west and romance to see how much fun you can have with this combination.
- Even though the story calls for you to mix two tropes, you are free to add more tropes or write in your genre of choice.
- You will submit one story, retold through varying word counts: 99 words, 59 words, 9 words, and 99 words.
- You must turn in TWO 59-word count reductions of your story (one in the original POV, and one in a different POV).
- Your second 99-word story should show transformation through revision. How is it different? How is it improved? Did the TUFF process offer new insights for the final version?
- The story can be fiction or BOTS (based on a true story).
- Make the judges remember your story long after reading it.
- Every entry must meet the word count requirements exactly. You can have a title outside that limit. Check your word count using the wordcounter.net. Entries that aren’t 99-59-9-99 words will be disqualified.
- Enter this contest only once. If you enter more than once, only your first entry will count.
- Do your best to submit an error-free entry. Apply English grammar and spelling according to your country of origin style. As long as the judges can understand the language, it is the originality of the story that matters most. However, we want to see a raw draft in the first 99-words, and a polished, edited draft in the second 99-words.
- If you do not receive an acknowledgment by email WITHIN 3 DAYS, contact Charli at firstname.lastname@example.org.
- Entries must be received by 11:59 p.m. EST on November 1, 2020 (entry form posted October 26).
- Refrain from posting your contest entry until after the winner is announced on December 1, 2020.
- Use the entry form posted on part four of this contest Monday, October 26, 2020.
Charli Mills, Lead Buckaroo at Carrot Ranch, will collect stories, omitting names to send to the judges. Because we are committed to blind judging, please refrain from posting your contest entry on your blog until after winners are announced. TUFF judges are familiar with this format. Life Coach and Grief Counselor, Cynthia Drake, uses TUFF with her clients. Poet, Editor, and College Professor, Laura Smyth, uses TUFF in her classroom. Both are returning judges and will be looking for transformative writing that results in a memorable story using western romance tropes. The top winner in each contest will receive a virtual badge and $25 (PayPal, check, Amazon gift card, or donation).
By Irene Waters, Rodeo Leader
Memoir is a passion, so I’m thrilled to once again host the memoir section of the Carrot Ranch Rodeo Contest. Hoping you’ll tighten your saddles and put on your spurs and join in. [READ MORE…]
Last year we had Scars – this year?
“She Did It.”
Three little words can hold so much meaning and have so many stories that come to mind. For the memoir prompt “She Did It” write a true story or a BOTS (based on a true story) keeping in mind the tips on writing memoir.
- Every entry must be 99 words, no more, no less. You can have a title outside that limit. Check your word count using the net as this will be the one I use to check the entries. Entries that aren’t 99 words will be disqualified.
- The genre is memoir although BOTS (based on a true story) will be accepted.
- English grammar and spelling (American, English or Australian) are expected, but as long as the judges can understand the language, it is the story that matters most.
- And it must be a story — that is it must be complete by itself not a part of a larger narrative. Give it a beginning, a middle, and an end.
- The prompt is a prompt, and the three words don’t have to be used in your 99 words unless you want to.
- You must enter your name and email with your entry using the provided form below. If you do not receive an acknowledgment by email, contact us at email@example.com.
- Entries must be received by 11:59 p.m. EST on October 17, 2018. Entries are judged blind, and winners announced November 16, 2018, at Carrot Ranch. Please do not compromise the blind judging by posting your entry before the winners are announced.
- You may post a “challenge” if you don’t want to enter the contest, but don’t use the form to enter the contest. Only contest entries will be published.
Above all have fun.
JUDGES (read full bios at SPONSORS)
THANK YOU FOR YOUR ENTRIES! CONTEST IS NOW CLOSED!
By Irene Waters
Welcome to Contest #4 of the Carrot Ranch Flash Fiction Rodeo. This competition is free to enter and carries a cash prize of $25 for first place. Winning submissions will automatically be forwarded to the All-Around Rodeo Winner which carries an additional cash prize of $50. Naturally you can’t have a competition without rules and as each competition leader has devised their own rules I suggest that you read those for this competition prior to submitting your piece. The rules follow the competition topic.
As a memoir writer and reader I am very aware that it is the situations in life that have a massive impact on the memoirist, those events which leave scars, whether physical or emotional, that are the chosen part of the life to be relayed. As a flash fiction writer delving into fiction, a genre with which I have not previously attempted, I became aware that we draw from real life to write fiction as well as memoir. The more observant we are as writers the greater our ability to convince our readers of the authenticity of our story. The more we remember from our own life informs our writing. In his book, Misery, Stephen King wrote,
“Writers remember everything…especially the hurts. Strip a writer to the buff, point to the scars, and he’ll tell you the story of each small one. From the big ones you get novels. A little talent is a nice thing to have if you want to be a writer, but the only real requirement is the ability to remember the story of every scar.”
In a double length Carrot Ranch flash, or 2 chapters of 99-words each (198 words total), tell a story that shows a scar. It can be memoir, other forms of creative non-fiction, any genre of fiction or a BOTS (based on a true story).
- Submit using the form below.
- Length of entry to be 198 words measured on Microsoft Word or wordcounter.net. Title is not counted in word length. Please be sure of your word count. Entries exceeding the word limits will be disqualified
- Flash is considered to be a complete story i.e. has a beginning, a middle and an end. This is a judging criteria.
- Entries must be received no later than 11:59 pm EST October 26.
- Your entry must be original and in English.
- The Judges rulings are final.
CONTEST #4 NOW CLOSED. WINNER ANNOUNCED NOVEMBER 28.
CHALLENGE OPTION: If you don’t feel up to entering a contest, please feel free to respond to this in the comments as a prompt challenge. Weekly Flash Fiction Challenges resume November 2.
- Complete story and structure
- Story Length
- Relevancy to prompt
- Grammar (spelling, tense, punctuation). Allowance will be made for differences in the language styles between countries and for the author to show her own voice.
- The Story
Irene Waters blogs at Reflections and Nightmares.
Angie Oakley blogs at Spry and Retiring.
Ellen Stomqvist is an avid reader.
More information about the judges can be seen here: for Angie and Irene.
Contest #4 Leader: Irene Water. For a full line-up of contests, see Events. Next up: 9×11 Twitterflash by C. Jai Ferry on Thursday, October 19.
Announcement of Winner
About Carrot Ranch
Carrot Ranch is a literary community committed to providing all writers access to literary art regardless of backgrounds, genres, goals and locations. Common ground is found through the writing, reading and discussion of flash fiction. The weekly online flash fiction challenges promote community through process, craft and exploration, and regular participants form a literary group called The Congress of Rough Writers. Their first anthology, Vol. 1 publishes in 2017. Carrot Ranch offers an adult-learning program called Wrangling Words, available to all communities where Rough Writers reside.