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April 15: Flash Fiction Challenge
Just when I was feeling despondent over how far my front potager garden has to grow to live up to its name, someone planted bunnies along its border. It’s spring-ish in the Keweenaw of Michigan’s Upper Peninsula, give or take a few more spits of white rain. The snow smartens the landscape of leftover street grit, dead plant stalks, and mats of maple leaves that resemble road-flattened toads. As much as I want to have a garden that emerges from winter like the ones I see on Monty Don’s “Gardening World,” the truth is I don’t live in the UK.
The bunnies brought me cheer and a mystery.
Who planted the family of wooden bunnies, each painted gray or brown and detailed with artistic designs? Each bunny is a different size and mounted on a dowel to press it into the ground. I simply walked outside one day, and there they were. I posted the discovery on Facebook, certain the artist would claim their handiwork, but so far, no one has.
Some people sow seeds of generosity without an audience. I like the idea that it could be anyone on Roberts Street or beyond. Some artist is chuckling over their drive-by bunnying. It seems that would narrow the list of suspects but almost everyone I know on the Keweenaw Peninsula is artistic. As I clean up my potager, I look forward to creating bunnyscapes. As hard as it is to resist, I’m late with a rake in the spring. I want my bunnies in a pristine setting, but the garden wildlife need warmer weather to emerge from the leaves and winter stalks. Patience is my act of generosity.
Not that I have time to dig the dirt. Two and a half more weeks and I’m done with school. I’ve had classmates tell me that I’m in one of the most dreaded classes of the course. At least I know I’m not the only one struggling to understand it. The other course is a content and copy class and we are studying SEO. Shoot me in the foot. I get what Search Engine Optimization is. I don’t buy into its value or all they hype that it’s something worth mastering. Not to say it isn’t a worthwhile strategy for marketing content. I adhere to other strategies. SEO will never be WOM (Word of Mouth). The latter includes people, the human factor in marketing.
Regardless, one of my favorite professors leads the course. I wish it were a prof I didn’t like and I could feel more justified in my moaning and groaning. I also can tell a difference in my classmates. Many from the earlier part of the program have taken a break or left. It seems COVID has exacted a toll. People are tired, unhappy. More disconnected. One peer has been a shining light, though, and I’ve gravitated toward her generous feedback that has helped me get through these last two classes.
I’m learning to be generous with myself, too. I had wanted to forge ahead with plans after graduation. I tried my best to keep up with business development, coursework, and thesis writing. In the end, my focus narrowed to a laser beam on my novel. After all, it was the primary purpose of my MFA journey. I’ve received a generous amount of feedback from my advisor and began yet another round of revisions last week. To me, it’s exciting. I know to dig into the comments, read the resources she recommends, and roll up my sleeves and do the work. Like my garden emerging ugly, I’ve decided to find the beauty in the mud.
And to wait. I don’t have a deadline on what I plan to do. True, I have a tiny bit of savings, enough to see me through six months after graduation plus a small investment in my business. I want to shout it to the world because I am excited for my vision. But I’m practicing mindfulness and recognizing that my neighbors can’t possibly see the potager as it will be in years to come. All I have is shaping clay and I need to trust the process to make it into the artistic vision I see. I need to be generous and offer myself the gift of time.
According to a newsletter I subscribe to:
“One way to practice generosity is to give energy where it is needed, whether that is in the form of time, money or love.”
Daily Om, Planting the Seeds of Generosity
The gift of time spoke to me. Giving without thought of return is an act of generosity. Someone gave me bunnies, a work of their artistic hands, and my neighborhood is enriched. Every week, writers give me stories, and like a community table, I prepare a spread we can all taste and enjoy. How remarkable generosity is.
There is yet another way to consider generosity. Brené Brown counts it as part of the Braving Inventory from her book and process, Dare to Lead. I post a copy next to my desk, alongside my vision for my writer’s life. You can print off one of your own, scroll down this Workbook page to Downloads where you will find Generosity listed in the Braving Inventory.
“What is the hypothesis of generosity? What is the most generous assumption you can make about this person’s intentions or what this person said?”
Brené Brown
Do you feel what she is saying? That we can be generous in our thinking towards others. Instead of generalizing the worst about someone, we can extend them the best intentions. The grace we can give one another to co-exist with diversity of views, expressions, and lived experiences. The love and compassion we can all feel when the table is set generously for everyone, especially those who have experienced oppression and marginalization. The empathy we can extend recognizing individual traumas, healing, and scars. To sit and listen, to hold space for others, to witness — these are acts of generosity.
And they are as uplifting as shared art. In fact, the art you share, the stories you tell, they do make a difference in the world.
April 15, 2021, prompt: In 99 words (no more, no less), write a story that seeds generosity. Who is generous and why? Think of generosity as planting a future outcome. Go where the prompt leads!
Respond by April 20, 2021. Use the comment section below to share, read, and be social. You may leave a link, pingback, or story in the comments. If you want to be published in the weekly collection, please use the form. Rules & Guidelines.
Submissions now closed. Find our latest challenge to enter.
Shared Between Neighbors by Charli Mills
Mara’s untamed yard tumbled toward Randal’s. He kept his edges squared, lawn clipped, and garden fenced. Dandelion seeds drifted and yellow globes emerged next door in spring. Mara offered to uproot the plants when Randal returned with herbicide. He scoffed. She persisted. He wavered. She mentioned cancer. Mara dug on hands and knees for three days, preserving roots and flowers. Order reigned over Randal’s lawn once again. She bottled the root tincture to control her menopause. In the fall, she gifted her neighbor a jug of sweet dandelion wine with a vintage label that read, From Seeds of Generosity.
🥕🥕🥕
Special Collection Flash Fiction Challenge
When I was twenty, a group leader at a retreat asked me, what are your goals in five years? One year? Thirty days? Then he asked, what would you do if you had five years to live? One year? Thirty days? What I wrote down were two different lists. I never forgot the lesson that day. Now, if you asked me, I’d respond with one list. Death is not easy for any of us to contemplate, and yet we will all die. We must live as if we know that because this life, people, and love are so precious.
To me, Carrot Ranch is the ranch I always dreamed of having. Sure, I thought there would be more horses and cattle, but I’m happier with writers and readers. The greater writing community is a colorful bazaar full of wonders and books and writers swilling ink. The branches of smaller and intersecting communities provide shade on our path and a place to gather and be. This literary community fills my creative well and my heart.
So, when I heard the news that one of our familiar pens and watering holes was grappling with the age-old challenge of dying, I felt stilled and sad. But then, hope rose on the wings of what it means to live and connect with one another. I’m in awe of the compassion of this collective of writers, of the bravery to step up and declare what matters when many would shy away. I’m humbled by how quickly his community responded.
Our dear friend, mentor, and prolific writer, Sue Vincent is facing lung cancer. If you don’t already follow Sue, you can do so here and learn of her story first-hand. Unlike me thirty-some years ago, Sue doesn’t have to reconcile her lists. She does what she loves, and finds it an honor to prompt the stories of others. In her, I find a kindred spirit, a lifelong learner and lover of people. Sue Vincent is a force of good in this world and proof positive that stories matter.
And you are all a part of that force for good, too. Whether you write horror, humor, or hefty words, you do good to share your stories, to use your voice, and to connect with others different from you. Writers are the bridges of cultures, the harbingers of better days, and the ambassadors of truth through fiction (and BOTS). You also care deeply for one another.
On Monday, Carrot Ranch will launch an event to celebrate Sue Vincent and her writing. There will be a “99” writing contest from February 1-19 with a suggested donation that goes directly to Sue. We want to make it a big deal beyond our trees of the writing woods, therefore it carries a $100 grand prize. There will also be a parade of sorts, a chance to gather together with Sue to share and reblog her posts in February. Be sure to tune in Monday for the full announcement. I’m so proud of all who have arranged this event, and volunteered to help. I’m proud of all of you whom I know will push this out far and wide to celebrate one of our own beloved writers.
February is going to be different at Carrot Ranch. Don’t let it throw you. I’ll be cloistered away, working on my thesis submission. I’m grateful to the community for carrying on.
Here’s a schedule for you so you know what to expect:
- January 28 Special Collection Challenge to Honor the work of Sue Vincent
- February 1-19: Sue Vincent Classic Rodeo Contest and Parade of Reblogs (announced Monday, February 1 at CarrotRanch.com/blog)
- February 3 No Collection
- February 4 Special Host: D. Avery
- February 10 Special Host Collection
- February 11 Sue Vincent Reblog Parade (no challenge)
- February 17 Special Sue V Collection posted
- February 18 Special Host: D. Avery
- February 19 Contest ends
- February 23 Special Host Collection
- February 24 Regular Challenges Resumes
- March 22 Winner and Runners Up Announced
You might say, February will be special. Please join in because this is about all of us and our legacy as writers.
“Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.”
~ Rumi
This 99-word story prompt will be posted and presented to Sue Vincent on February 17. If you want to be included in this special collection, respond through the form.
January 28, 2021, prompt: In 99 words (no more, no less), write a story about life as a river of consciousness. Think about the possibilities of the prompt. Go where the prompt leads!
Respond by February 11, 2021. Use the comment section below to share, read, and be social. You may leave a link, pingback, or story in the comments. If you want to be published in the weekly collection, please use the form. Rules & Guidelines.
Life as a River of Consciousness
She stood on a rounded rock in the middle of the river, contemplating her next jump. Summer saw the flow subside from its earlier spring torrents. She noticed how the river had changed from last season, and the one before. Her life seemed perpetual as the water. She longed for stillness, awareness, so she didn’t hop to the next exposed rock. Instead, she stood in the river of consciousness, allowing life to flow through her until a dandelion seed tickled her nose and she sneezed. Her small droplets became part of the waterway, her one life one with all.
🥕🥕🥕
January 21: Flash Fiction Challenge
The old cliche goes like this — there’s a light at the end of the tunnel. My response is, I hope it’s not a train! We all get the concept, which is why cliches are well-used like a favorite pair of driving gloves in winter. Whenever we hop into the car to drive we put them on, overlooking their frayed edges. They do their job.
So, why are writers encouraged to purge cliches from their writing? The well-worn phrases become mindless substitutions and fail to create imagery in the mind of the reader.
Take the proverbial light at the end of the tunnel. If I tell you that I can see the light at the end of the tunnel, most will understand that I see an end to a period of darkness. But what does that really mean? What is my period of darkness, or more to the point, what is your character experiencing?
Sally the tightrope walker suffers an illness that left her temporarily blind. Her light at the end of the tunnel could be the return of the spotlight on her rope. Beyond her emerging vision she could see hemp.
Betty Jo the Boston Terrier wandered off from her family on a camping trip. She walked 200 miles to get home. When the little dog turned down her street and saw an end to her arduous journey, she could see the kitchen light illuminating her dog door.
Miss Jernegon taught school on the alkali flats between ranches, wishing her life were more sophisticated. When she received a letter from a boarding school out east, she could hear the train that would carry her away from dust storms and starved cattle.
It’s late, and my examples aren’t stellar, but you get the idea. Instead of saying each character had come to the point in their story where they could see the light at the end of the tunnel, I looked for a way to express the idea of hopeful endings to difficult circumstances. You can search your characters’ setting or personality traits to inform a cliche.
Don’t worry about cliches in your first draft. They show up because they come to mind easily. When you revise, look for metaphors, similes, and familiar phrases in your work, and then think of how you can rebuild the concept.
At the crack of dawn becomes:
- when the solar inferno crests the horizon
- at the border between night and day
- when robins summon the sun
Back-stabber becomes:
- fake friend
- the boss’s informant
- cut worm
Flat as a pancake becomes:
- flat as new iPhone
- flat as a fat tire on a wilderness bike trail
- flat as a dead heartbeat
When it comes to cliches, you can think outside the box…I mean, you can let your mind wander the fence-less prairie beyond the ranch. For fun and practice, we are going to tackle cliches periodically. Grab the bull by the…wait…grab the carrot by the top and pull. You know, roll up our sleeves…I mean, put on our work jeans and calf-poop encrusted boots and get to work on rewriting the light at the end of the tunnel in a story.
Quick update — the puppy is growing (teeth) and learning to beg for naps. I’m an easy target, willing to snuggle for naps on the couch. My thesis is in jeopardy. Time is flying…I mean time is slipping through…time is a back-stabber, a pizza parlor robber, a fickle cat at the back door.
January 21, 2021, prompt: In 99 words (no more, no less), write a story that rephrases “light at the end of the tunnel.” Think of how the cliche replacement communicates a hopeful ending and aligns with your character or story. Go where the prompt leads!
Respond by January 26, 2021. Use the comment section below to share, read, and be social. You may leave a link, pingback, or story in the comments. If you want to be published in the weekly collection, please use the form. Rules & Guidelines.
The Promised Light by Charli Mills
Copper reminded Jess of Christmas caramels, all smooshed and clinging to the bedrock. After Pa died, the mine captain told Ma, “Send a son or get out of the company’s house.” Jess was built stronger than her brother with weak lungs. When she chopped her hair and changed clothes, no one said a word. Not even Ma.
Mostly, Jess fetched for the men or hauled buckets of copper caramels to the ore carts. Not much longer. Ma was cooking a plan to remarry another miner. Climbing nineteen stories of ladders, Jess thought the sun was the Star of Bethlehem.
🥕🥕🥕
January 7 Flash Fiction Challenge
A week into the new year, and I’m ready to “do” again. For the past few weeks, I’ve been exploring what it means to be a human being. The reflection was inward, and the parameters were mine. I was “being” like no one was watching. You know, like the saying — “dance like no one is watching.” What fulfills each of us is a design as unique as our thumbprints. I spent time to be with my self-design.
What I did was deep vision work. I didn’t just bounce from cloud-dream to cloud-dream. I distilled those vapors and thought about what elements give me purpose.
Vision work never ends. When we talk about evolving as a person, we are acknowledging how our vision shapes our understanding of who we are in the world. The more insights we often gain, the greater change it brings. The more we understand our vision, the better we get at defining our purpose. Visions don’t change; we get better clarity.
Think of it like this. Your vision is the landscape of the dream that drives your life. We can feel it in our gut and heart. We can see it in our mind’s eye. At first, it looks fuzzy. We have to define outlines of wispy clouds and name what we feel. When we first start playing with our visions, we imagine what our life looks like in five, ten, twenty years if we grow into who we want to be and what we do.
Then, as we continue to accomplish vision work each year, we get better at definition. These are the insights that come to us. A picture emerges from the clouds of dreams. We begin to recognize vision feelings in our every day lives. So, we push into that clarity and begin to see our vision’s thumbprint.
For example, many writers have a clear vision of a moment that defines success — they can imagine what they wear and say and how they feel when they sit on Oprah’s couch to discuss their book. Some writers include that moment in their vision. And why not? Vision work dreams big. Martin Luther King had a vision that drove his purpose, which was so strong it continues to inspire others today.
When we reflect on our vision, we realize that Oprah and her couch are symbolic. It doesn’t mean it won’t happen. But a vision is about purpose, about who we are as human beings as much as it is about what we do or accomplish. Go back to Oprah’s couch. Why are you there? What are you discussing? How are others around you feeling? How do you feel?
This is deep vision work.
I’ve had a dream of winning an Oscar from the time I was nine years old. I really don’t know what spawned the dream other than two things happened that year, and maybe that was enough. First, I got to go to the MGM Grand Hotel in Reno, Nevada, where I had my photo taken with a lion in a building that spared no detail on Hollywood glamor. Second, I had a bit role in the school play and discovered I love being a different person than the scared, awkward, and bullied kid I was.
That year, I watched the Oscars and noticed how the show looked like it was filmed at the MGM Grand Hotel, and the slick actors from films seemed as awkward in person as I felt despite their glamor.
I never told anyone about my fantasy or what I pretended any time I got to revisit the hotel in Reno and walk down the red-carpeted stairs. I discovered writing several years later and realized I could also become characters on the page. However, it popped up during vision work. And do you know what I did with that dream cloud? I blew it away because I thought it had nothing to do with my writing vision.
I was wrong.
Three years ago, I decided to not ignore the Oscar dream. I wrote it down in my ten-year vision. If I encouraged others to dream big, why not do it myself? Then I began to reflect on what it means to me. How it feels. How I feel in everyday life when I get that “Oscar” feeling. How winning an Oscar has anything to do with what I write.
A picture began to emerge. I live a rich inner life, and it is the source of my creativity. It’s not that I want to hide (on the stage or page); actually, I want to use bigger than life personas to express who I am on the inside. Surprisingly, my desire for Oscar recognition has to do with being seen for who I authentically am. It aligns with my top personal value of authenticity, which drives me to live the life I feel best expresses my purpose. That’s me, that’s my Oscar.
Also, I recognized a more practical application. My writing vision has to do with the kind of fiction I want to put out in the world — stories that express love in all its manifestations, characters who overcome adversity, books that uplift readers. I find myself looking for these stories in film to get quick fixes.
My writing Oscar is to write a story that would make a binge-worthy Netflix series.
Do I plan to set a goal to win an Oscar? No. That’s not the point. A vision might use accomplishments to express a person’s driving dreams, but a vision is all about living the fullest life available to you. Goals, the things we do, should take us to our vision. Every year, I will take this time to dive deeper into being. My vision balances who I am with what I do.
It’s not the arrival that satisfies me but the journey. I am a writer with an Oscar in her heart. I don’t need to get a statue; I need to express who I am on the page. Who is that? I’m still learning, but loving the transformative ride.
It’s good to be back to the Ranch and among writers. Look for Kid and Pal’s exclusive next Monday on the new baby critters headed tho the fictional ranch and the real ranch headquarters. Welcome to 2021!
Submissions are now closed. Find our latest challenge to enter.
Periwinkles on the Pack River by Charli Mills
Stones pulsed with a periwinkle heartbeat. Danni walked along the Pack River where the snow melt had retreated to expose banks of smooth stones. Her steps disturbed clouds of tiny blue butterflies that flew ahead to land, folding up wings to expose the buff color of granite underneath. As quickly as they fluttered, they disappeared into the camouflage of their coloring. G-Dog and Detlor burst past her, running to the creek with happy, floppy freedom ears. Blue periwinkles and brown dogs. The day would be perfect if Ike were here. She tossed a stone in his favorite fishing hole.
🥕🥕🥕
December 17: Flash Fiction Challenge
As much as I love the landscape and people of the American West, I’m content with my decision to leave the cradle of my family for seven generations. They came from the Pyrenees, Azores, Brazil, Denmark, Scotland, Wales, and Ireland. Most came directly to California and the rest from North Carolina. A few yet reside in Colorado and eastern Washington. Still, California and Nevada hold my family’s experience of America.
And then I met a veteran from Nevada and lived in almost every western state, thereafter. Sometimes I think it’s odd that we ended up in the Upper Midwest, of all places. But after struggling with the economic hardships of the rural west, we educated up and headed out. My husband grew up milking jerseys, and I worked ranches and logging camps.
Our grown children hardly know the difference between a heifer and a gelding. None of them ride horses. Yet, they matured among diversity, spent teen years swing dancing, going out to the Rocky Horror Picture Show, and prancing at the Gay 90s. Some of the stories, like a mishap with a bubble machine at a drag show, I’m only now learning. They’ve supported transgender friends through transformations, traveled to other countries where they had to learn the language and customs, and embrace a changing world with mindfulness.
I miss my kids. It’s a parent-thing. Maybe, it’s simply human nature to be nostalgic for what we create and give back to the world, not ours to keep. Every Message from Svalbard, phone call from Wisconsin, or text from nine miles up the Keweenaw, and I light up like Venus on a cloudless night. Every tear, worry, and pain, I feel. Any close relationship can relate. I’ve felt this close to a horse, and I know people who feel this close to their faith. We feel what we feel, and sometimes, deeply.
This time of year tends to expose tender nerves, whether emotions, unresolved situations, or memories. The veil between the past and present and future thins, and we expect to wake up like Scrooge to frosty ghosts and rattling chains. Sometimes we sit down at the kitchen table and wonder why we are here. We feel losses keenest when it seems like everyone else has what we do not. It’s an illusion, not true. We all suffer losses. Some deal with it differently.
No wonder bells, bows, gifts, and trees delight us. We want the lights, the sweets, the full celebration. Anything and everything to chase away the chill and dark thought. We make merry to make it through.
A good friend texted me tonight saying, “There’s so much pain at the hem of the world. So much.” She should know; she’s our region’s grief counselor who sits at that hem. She’s the person who witnesses the loss others feel despite her father having terminal cancer and her 22-year-old daughter recently diagnosed with a rare and aggressive lymphoma. She left her daughter’s side to attend the grief group she leads.
I have another friend, who is my personal witness. She gets me even when I’m not sure I understand myself. She lets me be silly and serious in varying degrees. She sits at my six (military-speak for “got your back”). We should all be so blessed to have such friends and to be one in return. Sometimes, I think she sits at my six, so I can sit at my grieving friend’s six, so she can sit at her group’s hem so the world can watch out for one another.
But I also understand that some feel no one in the world is watching their back. Isolation is deadly. I mean the mental kind where we don’t feel connected. Drop extended COVID protocols, disagreements, and polarizing politics into the world, and physical isolation turns mental. Bitterness is the inability to remember love. Love begins within. Take care to guard your hearts.
Be merry. Be bright. Someone needs you. Maybe you need you. Maybe your neighbor needs a light in your window to connect. Maybe a friend needs a goofy text. Maybe you need to forgive someone — not for their sake, but for your peace.
Write. Seriously, write. Scream into the page. Wet the ink with tears. Write a love story, a horror story. Play with words and remember what it was like to play as a child. Let that child breathe. Write like grammarians aren’t watching. Write nonsense. Write a manifesto for your creativity. Write an artist’s statement. Write a poem that doesn’t rhyme. Write a syllabic dialog. Talk to yourself. Talk to someone you miss. Talk to God, the Goddess, the Divine. Write the unexpected. Write what is typical of you.
Your authentic voice is needed; wanted; deserves breath. Tell stories. Any story. Your story.
You all gather here, weekly, intermittently, bashfully, or boldly stating opinions. What a grand space you make this! What a community! I know we can’t all possibly agree and yet for nearly six years, we’ve focused on how creativity flourishes among differences. You’ve forgiven me for rants when my injustice quota fills up and pours out onto the post. You’ve looked the other way, or rolled your eyes, when someone else writes — literally — the opposite perspective from yours. I feel like this literary anthropologist every week, weaving stories that are not alike.
We are not alike. And yet we are all so very human. So up and down. So vulnerable. So resilient. Contradictions and contrast, trying to connect.
Regardless of where you are from or where you are at, I’m happy you are here.
My daughter assured me that this video will bring a smile to any Grinch. She is a dancer and her troupe is delighting in this Christmas number, texting each other 🔔🎀🎁🎄. They are choreographing their own version on Zoom. I admire that the dancers with Todrick pull it off in stilettos, thus the prompt this week. I hope “Bells, Bows, Gifts, and Trees” brightens your day!
December 17, 2020, prompt: In 99 words (no more, no less), write a story that features stilettos. Who will wear them and why? Go where the prompt leads!
Respond by December 22, 2020. Use the comment section below to share, read, and be social. You may leave a link, pingback, or story in the comments. If you want to be published in the weekly collection, please use the form. Rules & Guidelines.
Submissions are now closed. Find our latest challenge to enter.
Gender Glitter by Charli Mills
Jace carefully dressed to costume up with the other college drag queens. He, she…no, he…set out on cross-country skis to the campus theater, stilettos tied with cord and slung across her back. His back. No one paid much attention to the petite contender for Frostiest Northern Queen until none could deny her presence (at last!). In a silver beehive wig to match nine-inch glittering stilettos, she won crowd and crown. Jace had to keep the victory secret. She (born that way) headed for the girl’s dorm no longer getting to express the person of a man becoming a woman.
🥕🥕🥕
December 10: Flash Fiction Challenge
Somewhere in Nevada between an active gold mine and a desert reservoir the size of a pond where wild horses drink sits a dilapidated ranch house. The summer sun mummifies the boards and magpies nest in the rafters. From a distance, the brown boards blend into the tawny landscape like camouflage. In 2010, my dad drove me in his old Willy’s Jeep to this site. He stopped and said, “This was someone’s dream.”
It wasn’t the first time I heard him utter that phrase. He logged in in the back-country where prospectors and pioneers searched for promises of a better life. They all carried apple seed. At the Nevada ranch house, the husks of mountain cabins, and countless remnants of cellars apple trees grow wild. The ones who planted have disappeared, leaving spring blossoms and fall fruit to bear witness.
I’ve always been curious about these dreamers. I think about my dad’s regard for their lost dreams, or the stories I heard as a child from the old-timers. I think about the evidence of people who lived and dream long before the homesteaders came.
Yet, history doesn’t record the trickery that led people west to attempt to make a dream work. It benefited the government and then the railroads and then the company mines to lure people west to settle or work. Ads circulated in city and rural papers back east and overseas, attracting immigrants with promises of land and livelihood. Railroad companies often provided land, jobs, and one-way tickets.
My favorite buckaroo sings the story in the first-person point of view account that blows a hard wind into the listener’s soul. I shiver when I hear the refrain, “I never knew, I never dreamed.” Dave Stamey sings Montana Homestead 1915.
Ten years earlier, the railroad brought Italians to Elmira Idaho where I lived for four years next to the schoolhouse built in 1910. It was the dream of those immigrants to educate their children. It is the setting of my novel in progress. Whatever the Italians dreamed, they abandoned in Elmira and moved on after the railroad ended their work. My character Ramona Gordon is the descendant of one of these immigrant families.
The house my dad showed me in Nevada is one I gave to Danni as a ranch where her father worked. I picture Danni riding out along the small creek lined with cottonwoods, of her dad showing her the Paiute sheep camp that had existed for centuries before the Bureau of Land Management moved them out in the 1950s. Danni’s dad and my dad witnessed the loss of such dreams as boys who grew up in the hard migrant work-life of buckaroo ranches.
Despite this melancholy, I still believe in dreams. I know that my own have fed rivers of hope and resiliency. If you know me, you are not going to be surprised that I get excited this time of year to renew my dreams in a visioning activity. Not to be confused with resolutions, vision planting guides those apple seeds to fruition. It take dreams and puts them into action.
One of my dreams has been to teach creative writing. While working on my MFA, I’ve simultaneously worked on earning a master’s level certification to teach creative writing online. And thanks to COVID-19 and my online courses, I’ve learned new tools and techniques to bring in-person workshops to the virtual world. I have a break between Christmas and New Year, thus I decided to bring one of my favorite courses online — Writers Vision Planting. It’s one of the four parts of To Cultivate a Book series that has been COVID-disrupted.
If you have a dream, consider signing up either live or for the digital download. It will be a fun and creative way to plan your 2021 year as a writer.
But for our prompt, we are going to go back to what it’s like to experience something we didn’t dream. I never dreamed that a year after my last GSP died, I’d be chasing a puppy. I never dreamed that a pandemic would keep my daughter in the arctic so long. I never dreamed I’d own such a beautiful old home with a hand-carved staircase. I never dreamed that I’d get to live on a peninsula in Lake Superior. I never dreamed the northern lights would be so breathtaking (and evidently fertile, so be careful). I never dreamed I’d be 54 and expecting…a puppy, people, a puppy!
December 10, 2020, prompt: In 99 words (no more, no less), write a story about something a character never dreamed would happen. The situation can be fortuitous, funny, or disappointing. Go where the prompt leads!
Respond by December 15, 2020. Use the comment section below to share, read, and be social. You may leave a link, pingback, or story in the comments. If you want to be published in the weekly collection, please use the form. Rules & Guidelines.
Submissions are now closed. Find our latest challenge to enter.
Hot Pepper Takes a Chance by Charli Mills
Carlotta rode a mustang named Hot Pepper. Her gelding was a small but snorty horse belonging to the Two Bar Ranch. She taught school at the one-room cabin on a desolate hill of sagebrush central to the ranches in the valley. Hot Pepper trotted the full three miles to school and back where Carlotta passed a ranch house half-built. She often wondered why the rancher never finished what looked like a beautiful design with promise. She never dreamed the horse would throw her in front of the house, meeting the young widower who never dreamed he’d find love again.
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December 3: Flash Fiction Challenge
Beans may not be a part of everyone’s family tradition, but they were in mine. We greeted company with a pot of beans, a pan of enchiladas, and a bowl of green salad. At various times, my kids have requested the recipe for their own households. As far back as I know, our pinto bean recipes went back to the vaquero ranch cooks in my family at least five generations. Today, the memory lingers while the tradition has changed.
The Hub can’t eat beans well. His family has an old-time recipe for baked beans at Christmas. I never mastered baking beans, and he was okay with that. We tried to replicate the taffy pulls he and his cousins did as kids, but I never mastered that either. Eventually, we created our own family traditions around food and activities.
Between now and the New Year, we will watch A Christmas Story. Writers might relate to this scene from the movie when Ralph daydreams about the accolades he anticipates receiving for a paper he wrote:
On or after Christmas Day, we will play The Lord of the Rings board game and have a marathon going with all three movies in the trilogy. We even load up Christmas stocking with favorite snacks (like smoked oysters and summer sausage with sweet hot mustard) in anticipation of a day filled with playing games and Tolkein battles replacing Christmas music.
Ah. Christmas music. Trans Siberian Orchestra is a family favorite.
Imagine the intensity with which the Mills family decked their halls to TSO. I have every album they’ve made and one year, the Hub and I went to one of their electrified concerts in St. Paul. Another tradition from when the kids were still kids and all under one roof, we would eat Christmas Eve dinner by candle light and the lights of the tree. We’d clean up, put on our pajamas, fill baggies with homemade fudge and cookies, and go for a drive to look at Christmas lights. It was fun to be in our PJs. We would sing carols and listen to our favorite comedian, Bill Engvall.
Those were the days that make me smile. I’d like to sat family traditions remain static, but they change as we do. This year, I think a lot of families are facing the realities of COVID-19 interfering with the holidays.
But it’s not all that bad. It’s a chance to refresh, to try something new, to set aside the beans. I’ve downloaded some new music.
I’ve talked to extended family about playing Bingo on Zoom Christmas week. I have friends who are hosting dance parties and cacao ceremonies. Zoom, Facetime, and Skype are digital ways to extend the fun of playing games. YouTube, Amazon Prime, and Netflix let you set up watch parties for holiday movies or even The Lord of the Rings Trilogy.
Think of the disruption to family traditions as a chance to make new ones. Some people might be grateful to shake lose of the old ways and reconnect differently, with more thought and meaning. Learn about the traditions of your friends and neighbors. Deepen your own faith. Take time for solitude and quiet if that is what you need.
We are going to kick off December with a nod to family traditions. Feel free to share or break them.
December 3, 2020, prompt: In 99 words (no more, no less), write a story that includes family traditions. It can be related to any holiday or situation. How does the tradition impact the story or change the character? Go where the prompt leads!
Respond by December 8, 2020. Use the comment section below to share, read, and be social. You may leave a link, pingback, or story in the comments. If you want to be published in the weekly collection, please use the form. Rules & Guidelines.
New Traditions by Charli Mills
That night, the sheepherder made room for two wayward cowboys. The snowstorm blinded their passage back to the Two Bar Ranch and their horses found refuge in the small enclave of Basque who herded sheep in the Sierras every summer. All herds hunkered down in the valley to survive winter. Jess and Roy knew they’d miss beans and card games for Christmas, but the smell of mutton stew raised hopes not all was lost. After tasting saffron bread for the first time, and learning new carols to a tabor pipe, the cowboys adapted their cattle family traditions to sheepherders.
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November 19: Flash Fiction Challenge
Wolferick III has claimed a crack between the wall and wooden frame that encloses a porcelain Yooper Pooper in the basement. Yes, I have a random toilet downstairs and a wolf spider on guard duty about five squares of toilet paper away from the seat.
It’s hard to know where to go next with this story. Do I tell you about the spider or the toilet? Today is World Toilet Day so porcelain wins top billing in this tale. At one time, my toilet stood alone in the open expanse of space where homeowners stored their coal for winter heat. A large antique sink, something I’d call a laundry tray, is mounted next to the toilet.
In 1859, the Quincy Mining Company founded the city of Hancock whose modern population is 4,549 people, give or take several hundred Finlandia College students. Quincy Mine with its massive hoist house sits on the hill above my house on Roberts Street. This was a working-class neighborhood where miners worked the shaft called Old Reliable for 83 years.
In the blip of existence, 83 years is a grandma still driving on her own. But in US mining time, 83 years was stability for two or three generations before it joined the boom and bust cycles prevalent out west where I grew up. Someone constructed my home when work felt stable enough to commit rock foundations and pipes to a family dwelling, around 1905.
My neighbor has a ghost of a toilet past in her basement. She reminded me that in addition to toilet and sink, builders included a drain. It’s handy because I can hose the toilet the way I used to clean bathrooms as a teen when I worked for a state park campground with six public restrooms.
While it makes sense that the lone basement toilet provided a place for a dirty miner to clean up before entering the upstairs living areas, the drain feature hints at another use. My friend and historian, Robin Hammer Mueller, shared an article with me that explains old-time plumbing. The toilet downstairs acted as an overflow in case of a backup.
Or, as other friend said, it was Grandpa’s toilet, Dad’s toilet, something to claim with pride in the dark recesses of the house.
If you read Robin’s shared article, let me explain the difference between a Pittsburg potty and a Yooper pooper — location. Da Yooper is someone from the Upper Peninsula of Michigan and you can glean many insights from these authentic locals, including a brief look at an outdoor toilet also known as a Yooper pooper:
My local friends have also informed me that a baby from the UP is also a Yooper pooper, so it’s an informative phrase.
As for the lone toilet, Minnesota has dem too, ya, sure, you betcha (I still remember how to speak Minnesotan).
Maybe we laugh because poop is an uncomfortable topic despite the fact that everyone does it. Listen to Morgan Friedman. He reads Everybody Poops by Taro Gomi (I once heard an Elvis impersonator read this book at a Montana vaudeville show and it is burned into my brain as hilarious). Morgan is more dignified.
But for many, toileting is no laughing matter. Another friend informed me that over 850k people a year die because of a lack of proper toilets. In previous years of following World Toilet Day, I found out that girls and women are susceptible to rape when trying to find a place to go. Imagine the stress and worry.
When I didn’t have a toilet to call my own, I developed a hyper-vigilant bladder and once faced a charging moose to get to a vault toilet because I had to poop. Yet, I also wonder, how did everyone poop thousands of years ago? I’d love to know how Indigenous ancestors lived as one with the land, not contaminating their environment.
Would humanity solve toileting issues if we mentioned it more in literature? How often does a novelist mention toilets in a book? Do you? Well, now is your chance to practice writing about toilets. We will get back to Wolferick III another time.
TWO WEEK DEADLINE: due to the holiday in the US, Carrot Ranch is taking an extended week break. Stories are due December 1.
November 19, 2020, prompt: In 99 words (no more, no less), write a story that glorifies a toilet. Capture the marvel and status and love for a contraption we’d rather not mention. Go where the prompt leads!
Respond by December 1, 2020. Use the comment section below to share, read, and be social. You may leave a link, pingback, or story in the comments. If you want to be published in the weekly collection, please use the form. Rules & Guidelines.
Submissions now closed. Find our latest challenge to enter.
The Prized Possession by Charli
Opal prized something more than her grandmother’s Corning teapot. Leonard had hollowed a dead tree in spring after thaw. He and three pals from the mine heaved their backs and pickaxes to carve a year-round drainage system for their new home below Quincy Mine. It made the attic space above her uncle’s bar more tolerable to know she’d soon have a home for her children. The hardwood floors and oak staircase were fine craftsmanship, but the porcelain seat downstairs captivated Opal’s awe. Who’d have thought such privacy existed? For the love of God, she’d have her own inside toilet.
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November 5: Flash Fiction Challenge
Wandering the pebble beach at McLain State Park, I lose track of time. I walk from the car through a forest rooted in eons of compacted sand dunes to emerge above the water. Lake Superior eats her shoreline like a sea-creature and the edge of the forest drops into her maw. For now, Lady Lake’s waves loll like the tongue of a placid pet. All it takes is for another gale to blow and she’ll bulldoze rocks to shore with bare teeth.
I follow the sandy trail to where it dips down a slope. It’s too fresh and granular to hold a path, and with each step, my feet sink and launch tiny avalanches of sand. A few months ago, the base of this transition zone formed a ten feet edge of sandy beach. Now, long ridges of rocks ranging in size from mangoes to huckleberries bury the beach.
Chaos is not without order. I notice the uniformity of different ridges and note the ones most likely to contain agates based on size. I’m searching for bars of rocks the size of purple grapes. I look for hints of copper in the bigger stones and readily find a water-worn piece of basalt with nodules of pyrite. The mineral forms cubes; the water prefers rounded edges.
With all the time in the world, water wins over rock.
It’s November. Winter arrives early to the Keweenaw. In fact, we had our first 2020 gale on September 3, two months ago. Littered leaves and people clad in knit hats slide into descending temperatures and accumulating snow. Already, our jut of land surrounded by Lake Superior has measured 11 inches of snow. So, you might be surprised to learn that I came to the lake today to swim. We have a rare break in the plummet to winter. It’s warm-ish and sunny.
On my head, I’m wearing a thick cable-knit hat. I’ve layered a swim top beneath a t-shirt, thermal long-sleeved shirt, and a down vest with a wool lining. But I wore my quick-dry kayak bottom that extend to my ankles and water shoes. Already, my exposed fingers are cold and I’m thinking this is a bad idea. Earlier in summer when I played in the waves with one of my local friends, she told me that some years you can swim in Lake Superior in November. I was captivated by the idea.
Today, with a stiff breeze clipping off the waves, fingers, and exposed ankles feeling the cold, I’m less captivated by a November dip in the lake. Undaunted, or stubborn, I must try. First, I circulate my blood by picking sun-warmed rocks. Each stone I touch holds heat. My hat itches and my head begins to feel hot. Time to dip my feet.
Cold can burn all the way to the marrow of bone.
I clench my teeth and reason the pain will soon pass. What a ridiculous thought, like sticking your hand in boiling water, expecting to adjust to the sensation. There is a reason our bodies react with alarm to extremes. I tolerate the pain for a full three minutes deciding I’m not here to prove any masochistic tenancies. Whatever romantic notion I held about swimming in Lake Superior in November vanish. I can say, I stood in Lake Superior in November and froze my ankles. I escape with all ten toes still attached.
Not one to waste time at the shoreline, I walk the water’s edge. I pluck a few wishing stones and pick up favosite — quartz-fossilized coral from ancient seas that existed long before glacier came and receded. Some of the fossils retain the shape of their honey-comb heads and other glitter with crystals. I collect enough to hold in each hand and sit in the sun-warmed rocks, close my eyes, and follow my breath in meditation.
When I stand up, I find time had been sitting next to me in the form of a 1982 rubber watch still as brown as the day it was lost. Objects make great props in the hands of fictional characters. They can initiate a story or provide a twist. I ponder this 38-year old cheap accessory, realizing that someone in the 1980s might have treasured it.
Lost time is the stuff that fuels the imagination.
November 5, 2020, prompt: In 99 words (no more, no less), write a story about lost time. You can write a realistic scenario or something speculative. How does lost time impact the character of your story? Bonus points if you include a 1982 brown rubber watch Go where the prompt leads!
Respond by November 10, 2020. Use the comment section below to share, read, and be social. You may leave a link, pingback, or story in the comments. If you want to be published in the weekly collection, please use the form. Rules & Guidelines.
Submissions now closed. Find our latest challenge to enter.
Not Her World by Charli Mills
Ivie stashed her digital watch in a pile of discarded clothes, ready to dive into Superior. She waved at her dad and brother bobbing in the lake. When she emerged, her family had vanished, the beach became a sterile room. Medical equipment pulsed and wheezed. Nurses initiated a flurry of activity until the room swelled with old people claiming to be her relatives. Ivie requested her watch to check the date and time for herself. A bearded geezer claimed it was lost the day of her accident. That’s when she knew. Ivie dove through time to a strange world.
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