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Being Creative in Balancing Relationships
Man is a social animal, and we need each other for emotional support. The pandemic is the classic example when the world is in lockdown. Many are feeling the brunt of not being able to communicate, hug, and interact with their extended families.
Now, although the immediate family is in the same four walls, emotions are running high as mostly our thoughts and ideas don’t agree.
As a writer, I have observed that my creativity is the lowest at that point. My ego-filled mind and intellect run parallel, just like two railway tracks, and I can’t pen a single word without frowns and disappointment.
I can feel the train of thoughts chug by in my mind with no interaction from the intellect since the track is parallel. As a writer, I see the sunrise and sunset without getting any inspiration to pen since I choose to brood over an argument that happened within my four walls or choose to lament over what my teen did or could have done in his spare time.
Sigh!
But as the weeks ticked by and spending family time amidst board games and movie nights, I realized there is no such thing as winning an argument amidst family.
When you win, you usually don’t win. And when they win, they don’t win. The best outcome is a tie. If you both can walk away equally satisfied—or even similarly dissatisfied—that’s the real challenge. And the real win.
Easier said than to be doing in practical life. I made a few pointers that I eventually embraced to find that inner peace to start my penning.
Be in the moment
That requires the art of being aware of an argument in the first place. I had to be mindful of my surroundings—my thoughts, feelings, and body. And also be conscious of the people around me. Most of our communication is felt or seen before it reaches the verbal realm. Being fully present…is the key.
Stay Present
I realized I’ve been eluding my teen’s presence. I would do this in subtle and subconscious ways.
Most of the time, we are in a constant state of avoidance. By avoiding, you are telling people in your life that something is more important than them. Going back to the first point…become mindful of their presence will help solve this issue.
Make Time
Too much to do in the lockdown, but less time. Are you also multi-tasking, like me? Then, how would you become fully present in any conversation?
As Malcolm Forbes said, “Presence is more than just being there.” Being fully present focuses all of your senses on the task or person at hand. Being mindful for a couple of minutes a day and see what you notice.
Since I work from home, multi-tasking was a band-aid solution to fill my void, which became a habit even during the lockdown with family around. I could feel myself becoming overwhelmed. How could I dismantle myself from this over-scheduled and over-committed life for my search for Balance?
Set Boundaries
Can’t say No to family requests that usually involve cooking their favorite foods could lead to overwhelming emotions that could, after a few weeks, lead to spew of venom. Creating a boundary where each respects their space gives all the privacy and yet the privilege to enjoy each other’s company, is the key.
Energize the Mind-Body
Taking time to exercise is very important. The mind also needs our love and undivided attention every day for a few minutes.
Embrace an unprecedented time
Lately, the news of COVID is that it’s airborne. Now, to embrace the new change of not stepping out without a mask and maintaining that social distance should be the mantra. Again that allows us to be mindful of our actions when in public and be in gratitude to be in good health to venture out in the first place.
All the above steps are tedious, and honestly, there are days when my mind gets exhausted before the physical body. But, aren’t we the intelligent souls here, we can fight out any times. Let’s continue to find that inner peace and be able to continue with our passion…writing.
Becoming Someone Blog Tour
Branding, Bios and Author Multiple-identity Disorder
by Anne Goodwin
If there’s one consistent message about managing our author platforms, it’s that consistency rules. After all, if consumers need to be exposed to a product around seven times before they commit to making a purchase, only a fool would reduce the odds of being noticed by presenting their product in potentially contradictory ways. Friends, I am that self-sabotaging fool.
While I deeply admire those who can sum up what you stand for in an attractive image and roll-off-the-tongue strap line, there’s a part of me wailing How on earth can you know? Doesn’t your sense of who you are alter, like mine, with the seasons? Don’t you behave differently depending on who’s with you and where you are?
I do appreciate that we can’t dither indefinitely; that we have to make choices if we’re not to stagnate. I accept there’s no brand loyalty without brand recognition. Hell, thanks to Charli, I even accept I have a brand. But I have to develop it at my own pace.
I’ve come a long way since I balked at putting my mugshot on my website. I’ve come a long way since my first published stories were followed by the bio-that-never-was:
Anne Goodwin loves fiction for the freedom to contradict herself and hates bios for fear of getting it wrong.
Although a certain self-deprecating humour has become part of my brand – risky because what amuses one person turns another right off – the sentiment of that non-bio still holds true. I do like to contradict myself and fear commitment to a form of words that were right for me yesterday but a poor fit today.
But my shape-shifting author identity might be frustrating for others, as I was reminded recently when someone kindly sent through the version of my bio she planned to use in a post that mentioned me. Horror of horrors, it was the bio that accompanies my debut novel, and thus three and a half years out of date. Yet it wasn’t so much that the older version deprives me of the opportunity to crow about more recent accomplishments, but the slant of the summary was wrong. I don’t know if others do this but, in addition to my short-and-sweet Twitter biography, and the let-me-tell-you-everything about page on my website, I’ve composed a completely new bio for each of my published books.
Why, Anne, why? Because each novel draws on a different part of me: I thought readers of my debut, Sugar and Snails, narrated by a psychology lecturer at Newcastle University with a close friend teaching in the mathematics department across the road, might like to know that I studied those subjects at that same institution myself. But that’s irrelevant to people picking up my second novel, Underneath, who might be more interested to learn that, like Steve, my narrator, I used to like to travel and that, like Liesel, his partner, I worked in mental health services in the region where the story is set. If and when my possibly third novel, Matilda Windsor Is Coming Home is published, I’ll probably mention that, like Janice, one of three point-of-view characters, I had a role in the longstay psychiatric hospital closures of the 1980s and 1990s.
With my forthcoming short story collection, Becoming Someone, I have a freshly-minted bio all over again. As the anthology is on the theme of identity and self-discovery, it felt right to include some of the quirkier aspects of my own identity in the bio:
Alongside her identity as a writer, she’ll admit to being a sociable introvert; recovering psychologist; voracious reader; slug slayer; struggling soprano; and tramper of moors.
We all have multiple identities to accompany our different responsibilities and roles. But I’m still unsure how much my multi-author biographies represent flexibility and diversity versus disorder and lack of focus. What do you think?
Anne Goodwin’s debut novel, Sugar and Snails was shortlisted for the 2016 Polari First Book Prize. Her second novel, Underneath, was published in 2017. Her short story collection, Becoming Someone, on the theme of identity launches on Facebook on November 23rd, 2018, where the more people participate the more she’ll donate to Book Aid International. A former clinical psychologist, Anne is also a book blogger with a particular interest in fictional therapists.
Website: annegoodwin.weebly.com
Twitter @Annecdotist.
Becoming Someone published 23rd November, 2018 by Inspired Quill
Paperback ISBN: 978-1-908600-77-6 / 9781908600776
eBook ISBN: 978-1-908600-78-3 / 9781908600783
Amazon author page
Author page at Inspired Quill publishers
Facebook launch in support of Book Aid International
Platform: Self-Publishing
How to Build a Readership with Blogging
and Prepare for Publishing by Debby Gies
As writers who choose to self-publish, we must understand that we’ve chosen to be not only writers but publishers, marketers, and promoters of our work because these components are all essential parts of running a business. Yes, your business! If we intend to sell books, it’s in our best interests to learn about these things as well as building an author platform. If we don’t put in the time to promote our work, our books will surely sit and collect dust on the virtual shelves, lost in a sea of hundreds of thousands of other books.
Although we may be publishing in a digital world, our business is no different than if we opened our own brick and mortar store. We wouldn’t leave our doors unlocked and wares left unattended, would we? So, let’s get into the nuts and bolts of what’s involved in putting together a good book to gain wider readership.
Building an Author Platform with Blogging and Social Media Tools
If we prepare for our book launch well before publication, we’ll establish a presence as a writer and begin a following so we’ll have readers already eagerly interested in our book once it’s published. Remember – No readers = no sales.
Running a blog and creating a presence on social media are two important tools for gaining an audience. Using our blogs to write interesting articles to reflect on topics we write about in our books is a good way to develop a niche for our blogs. Some other suggestions to write about:
- Writing and publishing tips you come across which other writers may find helpful
- Book reviews – to share works of other writers to build rapport, which in turn will have others wanting to reciprocate and share our posts and books and reviews
- Personal posts to share with readers to give them some insight as to who we are as a person, inviting readers to get to know us
The point is to build relationships with our readers and showcase who we are. Don’t be the person who posts about their book all the time, because people don’t want to be hard sold to. And keep in mind, it’s important to always respond to comments because this is the engagement we strive to receive from readers. If they’ve taken the time to leave a comment, it’s our obligation to take the time to acknowledge them. It may take a while until we find our niche and target audience, but eventually, we’ll build our tribe.
Tip – Don’t forget to add share buttons under your blog for readers to share posts to their readers, which will bring new readers back to your blog. And don’t forget to add your social handles to these buttons when setting up your blogs so you get the credit to your name for the post.
Next, get active on social media. Yes, there are many sites out there, but many of them don’t have to constantly be babysat. You can auto send your blog posts to your social sites automatically by linking your posts to your social media sites at the very least. And eventually you will narrow down the few sites you most gravitate to by noticing where most of your reader engagement is happening, and those sites will become the ones you’ll want to focus more of your energies on. And again, when people respond by leaving comments on your social posts, make it a point to respond back. By engaging with potential readers on multiple platforms, you’ll give yourself a head start on creating interest about you and your writing, and by the time your books roll out, you’ve already created interested readership.
Now that we’ve established the importance of social presence and completed writing our first rough draft of our book, we can focus on the major parts of getting our book in shape for publishing.
Tip One: Editing
Before your book is anywhere near ready to go to an editor, re-writes and revisions begin for your rough draft. Even Hemingway said, “The first draft is shit.” This is the time to clean and polish your words, phrases, and structure of your story. At this time, you’ll experience a bit of pride, and a bit of, “What the hell was I thinking?” after you come across random run-on sentences, typos, and plot holes. You’ll need to read through the manuscript a few times to begin the polishing process. I recommend then to send your manuscript to beta readers for feedback and then weighing out the suggestions and making appropriate changes before sending off to the editor.
I always find it helpful to print out a copy to do another round of revising before sending my work to the editor because our eyes catch a lot more on paper than they do on the screen. Then I take my newly marked-up manuscript back to the computer for last round changes before it goes off to the editor. Yes, even editors need editors. And the cleaner your book goes to the editor, the less time and work it takes them to edit, resulting in less cost to you.
It’s important to seek out an editor you’re comfortable working with and fits reasonably in with your budget and your genre. Believe me, I know as writers our budgets are tight or practically nil, but have you ever heard of anyone who started a business for free? Your books need professional editing, and if you don’t believe me, go look at some books with bad reviews on Amazon because of lack of editing. Readers are discerning and will get angry for crappy, unedited work, and we can’t afford to piss off readers when we’re trying to gain them.
Editors charge by the page or the word count. A good editor will offer to edit a sample chapter from you to show you how they work. A good editor will also not strip your voice from your story.
Once your manuscript is returned, you’ll go through the editor’s suggested changes and revise, then send it back for a final proofread before it’s ready for formatting.
Tip Two: Formatting
Once the manuscript is ready for print, it needs to be made into a downloadable file for ebook form: a mobi file for Amazon, and an epub form for all other distributors, and a print file for POD (print on demand) if you should desire, but highly recommended.
Some authors have the know-how or the inclination to learn how to format, but I can tell you, I have neither. So, if you’re like me, you’ll want to hire a formatter to get your book into form for publishing. A good formatter knows all the specs entailed with creating the file, will find spacing and gap issues in the document, and most important, find leftover marks on your Word document that you may not even be aware of because they aren’t visible after making changes on your manuscript. Once the files are created, they’ll be sent back to you, ready for downloading to your retailers of choice.
*Note: There are many authors offering formatting services now. If you’re not well-versed in formatting and don’t wish to go through the hair-raising and often time-consuming process, you can get a book formatted for a reasonable price, many only charging as low as $25. I know it’s certainly worth my time to hire out.
Tip Three: Book Cover
The first thing to catch a reader’s eye is the book cover. A catchy cover is more apt to attract attention than a boring generic one. Think about how many times you’ve looked through books on Amazon and didn’t look twice at even reading the blurb because the cover didn’t grab you. No matter how great the book may be, it can become a missed opportunity for a book sale if readers aren’t attracted to the cover or if it’s difficult to read the title.
Many new writers try to cut corners by making their own covers, and if they aren’t well-versed in the graphics department, to the discerning eye, it will look home-made. There are many elements involved in creating a good book cover. There is font, and font rules to beware of – size, color, and style elements. And you must be sure the cover is proportionately balanced with the font and picture elements in relation to the size of the book cover. Also, it’s important to know how that cover will look in thumbnail size because that’s how it will show on Amazon and other retail sites.
There are several places online you can find and hire book cover designers for a reasonable price. A good designer will know what’s involved in constructing an eye-catching cover. And of course, it will be up to you to tell them the concept of your book, share your ideas about what you’d like to essentially see on the cover, and you might want to send a few photos to the artist to give them an idea of what you’re after. You can search images at many photo sites to look for ideas of what you’d like on your cover. Artists don’t have time to read your manuscripts, so the more you can tell them about the book, the more ideas they can come up with as mockups to begin sending you for feedback and changes until the final masterpiece is created.
As you go through the process, you’ll be suggesting the changes you’d like, and a good artist will tell you if your suggestions for change will look balanced. For example: The rule of thumb is no more than 3 fonts on a cover because it becomes distracting to the reader. So, you may want your title in one font and your name in a font that you intend to keep as your branding for future books you will write. But you may have a subtitle requiring a third font because you don’t want it to blend into the title or look the same as the font used for your name. These are just a few pointers to take into consideration when creating a cover. I had no concept about all of this when I wrote my first book, so I subscribed to some of the pioneer Indie authors’ newsletters and learned a lot from their publications and links they provided on everything book publishing. I would highly recommend visiting www.thebookdesigner.com – Joel Friedlander’s site. He offers a wealth of information on everything about creating a book.
Tip Four: The Blurb
This is the book’s description, a crucial sales ad copy for your book to attract readers and entice them to buy it. The blurb will go under the product description on Amazon to dangle a carrot and intrigue readers into wanting to buy the book. If you’re making a print version of your book, this will go on the back cover.
Many writers will tell you that this can be a hair-tearing process to write. Finding the appropriate words and message for the blurb has been likened to – worse than writing a book. Why, you may be wondering? Because condensing your book into a mere 200-300 words to share the essence of your story, finding the right hook and not giving up spoilers, is hard work.
A blurb should contain – the protagonist, what they’re after, what the stakes are if they fail. It should create an emotional attachment, leaving the reader curious and wanting to read the book to find out what happens.
Blurb standard protocol:
- First line is where you hook the reader (what the stakes are)
- First paragraph is plot and conflict with the protagonist
- Second paragraph should leave the reader wondering what the resolution of conflict will be
- The last line should be a cliffhanger, causing an urgency in the reader to find out what happens
- You can add a third paragraph if it’s fitting, informing the reader what they can expect from reading the book, or by adding one or two quotes from an editorial you received from your book, inviting the reader to get insight as to how the book will make them feel
*Note: If the blurb is short you can condense the first and second paragraphs.
Here is a wonderful breakdown from Standoutbooks.com, on writing the blurb. This site is one of my favorite sites for learning and keeping up-to-date with everything about the writing industry.
I hope I’ve given you some points to ponder here today. These are the basic guidelines used to self-publish a book. As you get more comfortable publishing more books, you’ll come across many other tricks of the trade that you’ll find useful for incorporating into your own publishing purposes.
Debby Gies is a Canadian nonfiction/memoir author who writes under the pen name of D.G. Kaye. She was born, raised, and resides in Toronto, Canada. Kaye writes about her life experiences, matters of the heart and women’s issues.
D.G. writes to inspire others. Her writing encompasses stories taken from events she encountered in her own life, and she shares the lessons taken from them. Her sunny outlook on life developed from learning to overcome challenges in her life, and finding the upside from those situations, while practicing gratitude for all the positives.
When Kaye isn’t writing intimate memoirs, she brings her natural sense of humor into her other works. She loves to laugh and self- medicate with a daily dose of humor.
Connect with her at:
Instagram Google LinkedIn AboutMe
Book by D.G Kaye available on Amazon.
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Platform is a guest blog to discuss ideas or share tips for building and marketing a writer’s platform.
Platform: Branding by the Back Door
If there’s a demographic for the brand averse, I’m it. As a Brit of the baby-boomer generation, I’ve grown up in a culture that wrinkles its nose at any hint of self-promotion. I’ve felt personally affronted by the privatisation of public services, where passengers become customers and I daren’t even comment on the weather to the person delivering the latest batch of books to my door because, if they don’t complete their around in record time, the contract will go to another company. I’ve been professionally offended by the repeated rebranding of the NHS, leaching funds from patient care into headed paper and signage. Now retired, I’m still affected, as a volunteer for the national park, which has swapped its logo of a millstone with a circular hole in the middle to one with a square, and I’m expected to tramp the moors as a walking advertisement for the outdoor clothing company that’s our current sponsor. And yet.
And yet I’m a writer with small-press published books to promote. I understand an author needs a brand. But because I’m ambivalent, I approach it haphazardly, swinging between living with fingers-in-the-ears indifference to frantic clamouring to board the latest bandwagon – sometimes latest in the sense of newest, sometimes in a sense, it’s already left town – the blogosphere’s been hectoring me about.
And yet, as Charli has so kindly pointed out, I do have a brand. It might not shine and shout as strongly as some brands, I might struggle and blush to articulate it succinctly, but it does exist. And I’ve created it, both consciously and unconsciously, through being me, with all my clumsiness and contradictions. Committed branders should look elsewhere but, for the confused and reluctant, here are a few things I’ve learned.
You can develop your brand at your own pace. I set up my website almost ten years ago and didn’t begin blogging until it was starting to go out of fashion. In my back-to-front way, I joined Twitter a few months later, quaking in my bedroom slippers. Yet I’ve got somewhere.
Something is better than nothing, and you can’t do it all. Yay, you don’t have to be perfect! How many times a day do you have to remind yourself of that? Working meticulously through some version of ten-steps-to-branding might be the most efficient, but if that’s not you, don’t worry. But don’t let it stop you from doing the teeny-tiny bit you can do. Every little bit helps.
You don’t need a personality transplant, and you don’t need to sell your soul. Charli’s expertise in marketing for a non-profit organisation has helped me to see that a brand needn’t espouse the nastier tenets of late capitalism to thrive. Cooperation, compassion, and integrity can be part of a brand; Carrot Ranch providing the perfect object lesson in how these values translate into practice. You can choose how much of your everyday persona goes into your author brand, but you don’t have to pretend to be someone you’re not. While confidence and eloquence are attractive, brashness can be off-putting, and even shrinking violets can sell their books.
Don’t sweat over how others do it. Shall I compare me to a better brander? Alas, there are myriad opportunities for seeing how we fall short. But, when everyone’s circumstances are different, isn’t this like comparing apples and oranges? Notice others’ success in order to celebrate with them, or learn from them, but turn away if it makes your own achievements seem shabby or small. Just because I’m better at giving this advice than following it doesn’t make it any less valid.
Are you a reluctant brander? What strategies have worked for you?
Rough Writer Anne Goodwin’s author brand encompasses grey hair and perhaps the only English accent Americans don’t find cute. Her writing explores identity, marginalisation, mental health, psychology, and attachment. She also has a pronounced intolerance for dodgy fictional therapists.
Her debut novel, Sugar and Snails, about a woman who has kept her past identity a secret for thirty years, was shortlisted for the 2016 Polari First Book Prize. Her second novel, Underneath, about a man who seeks to resolve a relationship crisis by keeping a woman captive in a cellar, was published in May 2017. Anne is also a book blogger and author of over 80 published short stories. Her short story anthology, Becoming Someone, will be published in November 2018. Catch up on her website: annethology http://annegoodwin.weebly.com/ or on Twitter @Annecdotist.
- Available on Amazon
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Platform is a guest blog to discuss ideas or share tips for building and marketing a writer’s platform.
SPAM Public Service Announcement
We’ve had a blast at the Carrot Ranch Flash Fiction Rodeo, and great guffaws from Little and Laugh thanks to the Real Geoff Le Pard and all who entered his contest. And we’ve had fun with Spammer in Residence, Nanjo Castille. He seems to be having fun, too.
We like humor in the literary arts. We like to share laughs among friends. But let’s have a serious talk about spam for a moment.
According to Askimet, spam is “the underbelly of the web.” By October 30, 2017, Askimet caught its 400 billionth spam comment. If you pay for your Word Press website, you receive this filter. Who knows, maybe the Real Nanjo Castille was number 400,000,000,000.
What is this underbelly, exactly? My own definition is that it’s poor marketing. Spam manipulates the sales technique “the more you ask, the more you sell.” I still shudder at those cold-call nights after I left magazine publishing and sold insurance as an agent. I hated it. I hated picking up the phone, interrupting people’s lives with a sales pitch.
Spam is the same idea based on mass numbers producing more sales, or click-thrus. You see, advertisers pay money to get their ads seen. Nanjo is not really selling purses, or perfume, or dongles, or forklifts. A spammer wants to lure you to a bogus website. Click. You just became a number. Those numbers add up and shady marketers charge advertisers by those clicks.
Spam can be a nuisance. It can spread disinformation (think of those fake news chain emails telling you to forward to five more people or your guardian angel loses her wings). It can lead to phishing. Spam can include malicious downloads. You can learn more and how to play it safe on the web at Tech Journey.
Authors and bloggers inadvertently become spammers, too. This goes back to the poor marketing practices of cold-calling and interrupting strangers with a sales pitch. It doesn’t work. It’s disingenuous. It robs your time and energy and the recipient’s time and energy (that’s why spam sucks — it’s a thief of time).
However, Nanjo reminds us that even spammers are human (not bots). Writers selling books are human, too. Spammers do what they do, cold-callers do what they do, and book sellers do what they do, all to earn a living. Let’s be frank about that. It can be incredibly difficult these days to earn a living in sales. It’s even more difficult to earn a living as a writer.
Yet, in order to sell, you still have to ask. And it’s hard. Think about this for a moment — what if spamming is easy because we dehumanize ourselves to turn into robot mode buy-my-book-buy-my-book, and it’s not us making the ask, its bot-self making the ask. I know when I made those cold calls, the only way I got through those nights was by turning off internally.
Therefore, good marketing is uncomfortable. It’s only human to feel vulnerable when pitching your idea, book or product to another. As much as you might prefer a technique that allows you to turn off, don’t. You need to engage. You need to understand that rejection isn’t personal, it’s simply that you didn’t reach your right target. Adjust. Aim better. Stay human.
Two attributes of good marketing are work ethic and authenticity. Work ethic means you take the time to build a platform and authenticity means you take the time to match up your product to those who want it.
It’s a simple answer but complex to set up and execute. It takes thought, strategy, pushing through resistance, maintaining confidence when you have doubt, building relationships, understanding channels of distribution, defining and finding your target audience, innovating, gathering feedback, promoting, and understanding what platform and marketing are.
Not so simple, after all. Thus spamming is easier if you can numb yourself to doing it. Instead, let’s be vulnerable, let’s learn and grow and build. As writers. As marketers. Let’s respect each other’s path, our time, and our shared humanity. Let’s laugh. Not at anyone, but in that grand mystical way when humor breaks down barriers and lightens our burdens and illuminates our human foibles.
And above all, let’s reach out to one another through the empowerment of creating literary art.
New Barns Raised at the Ranch
Carrot Ranch is growing. If you look around you might see some gaps and unsightly piles of lumber. Growing can be inelegant. Mud-work, I call it. It always begins by digging in the mud. Soon, I’ll wash off the foundations, nail some clean boards and you’ll see barns taking shape. By the time the barns open you might raise your eyebrows in surprise or kick up your heels in delight.
Think of me as the buckaroo with a hammer in one hand, a writing quill in the other and eternally distracted by migrating birds, ancient bedrock and stories waiting to be caught. I recently commented to another writer that one day my tombstone will read, “…but I haven’t told all the stories, yet.” This made me think I could stash pencils and paper at my grave, inciting visitors to write 99 words. If I were to leave a legacy, that would satisfy me greatly. It’s not the words published, but the hunt for them, and stories never cease.
99 words at a time allows me to write beyond the range of my novels I’ve cultivated for the long trail ride. Yet 99 words also becomes a tool to refine those longer stories, to explore their characters and scenes, to process research. When this Ranch hung its shingle to challenge writers to wrangle 99 words, no more, no less it was to spark creativity and cultivate connections. Out of that beginning grew a literary community.
If you think of writers who enjoy word play or word craft, then literary art is our common ground. Flash fiction became the sandbox for playing with literary art in a constrained and yet open way: 99 words, but according to where a prompt leads each writer. Anytime someone says they didn’t think they stayed with the prompt, I clap! That means someone felt more driven to pursue a creative idea than sticking to a “rule.” Carrot Ranch is a safe place to practice, bend or even break literary rules. It’s exploration. It’s creativity. It’s community.
Coming from rural places and the cooperative industry, I believe in the difference a small and engaged group of people can make. The barns raised at Carrot Ranch are to expand the reach of this literary community, and to build upon the 99 word challenges with new innovations to push creativity and word craft. The barns are also places to house the abundance of writing from those who wrangle words here. What you will notice are changes to pages, new events, a book launch and a Rodeo.
The Ranch schedule remains the same with enhancements:
- Mondays: Admin day with #MondayBlogs participation on Twitter
- Tuesdays: Ranch Business/Guest Authors (essay and advanced flash fiction topics follow for 2018)
- Wednesdays: Weekly Challenge Compilation posts
- Thursdays: New Flash Fiction Challenge posts
Guest authors can sign up for the 2018 schedule January – September. There are 38 open slots. Essays will continue to include Raw Literature (about the creative process and early creations in writing) and Platform (about marketing tactics for authors or bloggers). A new essay opportunity is to write a Peer Book Review on a fellow Rough Writer (or Friend who joins us in writing at the Ranch).
In 2018, Carrot Ranch will challenge flash fiction writers to push their craft with Advanced Flash Fiction. If you are interested, you can sign up for the 6th Sense Challenge, History Challenge, or Ultimate Flash Fiction Challenge. Each will be explained on an upcoming new page this month (Submissions). If you are interested in being a guest author at Carrot Ranch in 2018, email me at: wordsforpeople@gmail.com.
Carrot Ranch will use the remaining 2017 Tuesdays for Ranch Business. We have an exciting season kicking off, which will become yearly:
- October: Flash Fiction Rodeo (8 contests, 8 first-place prizes, 0 fees) Tuesdays & Thursdays
- November: First 4 Winners Featured, Anthology Vol. 1 launches, #NaNoWriMo
- December: Final 4 Winners Featured, Anthology Vol. 1 Book Parties & Blog Tour, #NaNoProMo
If you want to participate in blog sharing, #MondayBlogs is how Carrot Ranch shares other blog posts on Twitter. Each writer who participates in the weekly challenges with blog links have those links embedded in their flash fiction’s title. I share the compilation with your blog links across a broad platform of active Facebook Groups and at the Carrot Ranch Facebook Page.
Weekly Challenges will continue. If you ever get a burning idea for a prompt, leave it in the comments with your story. I might use it to prompt my own blog post that week, too. Facebook decided to change its format, which has hampered how I save stories for the compilation. It’s caused a hiccup during a busy time, but it’s just hiccup. I’m setting up the compilation differently. It won’t appear different, but my process will change.
IMPORTANT: The Carrot Ranch Flash Fiction Rodeo in October will replace the weekly flash fiction challenges for that month. The last one will be September 28. Weekly Flash Fiction Challenges resume November 2.
I’m excited for the Flash Fiction Rodeo! This is the big show, the one we built the show barn for and it is led by 8 of our own Rough Writers. My first rodeo was at Bolado Park Arena when I was three. After I married, I hung up my riding boots and followed the ink trail.
This might be your first rodeo, but let me tell you it’s going to be a fun and wild ride! Our fearless leaders have events you’ll not expect. This is not your ordinary flash fiction contest. If you’ve never entered a contest before, here are three compelling reasons why you should enter one:
- You have 8 contests to choose from (enter one, two or all)!
- There are no entry fees (it’s free, and you might win a $25 prize)!
- It’s Carrot Ranch & the Rough Writers (you know we don’t bite)!
Next Tuesday we will introduce the Leaders and their Contests. Each Tuesday and Thursday in October (Oct. 5-31) a new contest will debut at Midnight (EST). Each one will have its own set of rules, deadline and platform — some will be at Carrot Ranch, at least one will be on Twitter, and another will use Submittable. Winners will be revealed at Carrot Ranch each Tuesday Nov. 7-Dec. 26. An All-Around Winner from among the eight will be revealed Jan. 2.
In January, we’ll begin development of Vol. 2. The anthology features the writing of The Congress of Rough Writers. On Oct. 3 Carrot Ranch will have a kick-off party for the Rodeo and announce the new inductees to the Rough Writers. If you’ve been writing here and thinking about answering the open call, email your interest to me at: wordsforpeople@gmail.com.
The saw dust will clear and the barns will soon be up! Save the date to celebrate:
Platform: Authenticity Builds Credibility
Essay by Charli Mills, Lead Buckaroo at Carrot Ranch and has developed the idea that a writer’s platform is built on branding, credibility, community and target audience.
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Either way, I made a mistake. Either I’ve insulted an individual I do not know, or I could have risked exposing my community to something inauthentic. It’s never easy to be in an a position of public skepticism, but I went with my intuition because I noticed clues of authenticity, or rather, a lack of them.
When it comes to building a writer’s platform, authenticity is key.
As an author, you are your own brand. Some writers choose a pen name and develop a persona around it. This is fine, as long as you remain authentic to that persona. Others use their genre or the topics they like to write to build a brand. Take for instance, my buckaroo brand. At its core is a culture I was born to but left to pursue a career in writing, not riding. I can have fun with my roots and they are authentic. Yet, I also know writers who never sat in a saddle, but pen brilliant historic westerns and wear Stetsons. They could build a buckaroo brand, too. It has to mean something to you, so it can become meaningful to others.
Credibility has many touch points in your writing. The most credible touch point is easily observed by readers — can you write? You won’t make a credible writer if your sentences have nothing to convey. Craft is something every writer has to work on, even the masters. Yet, if you have nothing to say and write in circles, you might be committing a fraud, such as the student in school who didn’t read the book but is trying to give convoluted answers to mask the fact. Topic credibility is important too, and we’ve had discussions before about how authentic our characters should be in their settings or professions or circumstances.
Community trust is paramount to any platform that builds community. Community might be other writers you interact with or they might be part of a platform, such as those who gather at Carrot Ranch. Just like your work community or neighborhood, it’s important to take time to get to know one another and create a space space that honors diversity, exploration and growth. Different communities could be build around shared interests, activities or goals. Whatever the driver, the community trust is also governed by authenticity.
A writer’s target audience is different from the community (although some readers may decide to interact at the community level). Readers want to know their authors are real people (or personas) and observing community interaction, knowing the author’s brand and credibility are all important factors. The writer also needs to understand who is most likely to read, and create a platform that attracts or seeks a target audience. For example, if an author builds a brand around cute kittens but wants to publish political thrillers, chances are the platform won’t support the product. That’s why readers need to be considered even if they are not yet part of the mix.
I thought about the authenticity of these platform components as I prepared to post a submitted article. Someone responded to my ranch email, offering to write an article like the brilliant Writing is Water essay by Kerry E. B. Black. It was a curiosity when the actual article arrived and was not about Raw Literature but was an interesting piece on the importance of niche. I skimmed it quickly to see it was better suited as a platform guest post. I didn’t give it a deep read, something I should have done before saying. “Yep!”
I couldn’t say what, but the whole thing seemed off kilter.
As I prepared to set up the piece, and link to the author’s bio, I went over to his website to discover it wasn’t a blog but a writing business. It was a professional looking site with high quality graphics and a call center. Whoa. Wait. A call center? I began to read through it carefully. It was fairly well written, marketing to students and professionals to write essays and articles, and the first sentence I tripped over was the one proclaiming the writers were native English speakers except it was constructed in a way that was clearly not written by a native English writer. Don’t proclaim to be one thing and expose yourself as the opposite.
If you are an expert, great! But as The Hub says, if not, don’t dress up in a suit and tie and get on YouTube and make a donkey of yourself. If you are not a writer don’t be selling writing services. And if you are a student or a professional, don’t be paying a service to write your school essays or reports you are paid to write. Inauthentic! And it doesn’t sit well with me that I almost posted an article to my community by someone who abuses authenticity to profit. I could be wrong, but when I did a deeper read, the article was about a great topic but actually said nothing compelling and had several questionable errors from a writing service expert.
So! Here I am, guesting today on my own blog instead of posing the article intended. My apologies if I’ve offended the submitter who will remain anonymous (and I doubt the person is known to anyone here). And not to scare off any future guest posters, but hey — submit something authentic! That means, be you, write in your own voice and select a topic that is meaningful to share. We post wide ranges of writing and topics, so unless you are scamming the system, submit away!
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Platform is a series that discusses the balance between craft and creation. It’s a writer’s sum total of visibility comprised of branding, community, credibility and target audience. An author markets product (books, blog, podcasts, workshops) from a platform. This series offers tips from experienced authors, publishers and marketers specific to all writers interested in building a platform and selling books and related products. If you have an article to share with the community of writers at Carrot Ranch, pitch to Charli Mills, Lead Buckaroo, at wordsforpeople@gmail.com.
Platform: Branding Yourself as a Writer
Article by Ruchira Khanna, a member of the Congress of Rough Writers.
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Branding!
It’s everywhere.
Rolex, Nestle, Audi, Coach, Tommy Filger, Hanes, Revlon, Prada, Bentley, GE, Kenmore, Maytag, Toyota, Mercedes, and the list goes on…
In fact, companies decide on a product, a brand logo and then go on about manufacturing their product. Such is the importance of a name and logo.
As a manufacturer, a brand is a window for him to peep outside and get noticed by consumers as he advertises his product on his website or a social media outlet, such as Facebook and LinkedIn.
Branding just doesn’t happen; it has to be thought about and well planned since ultimately that’s how the consumers will picture you.
Some useful advantages for having a brand are:
- It helps give you a platform for ease, reliability and a recognition of what you stand for once you vouch for it, with ardor and passion.
- Branding can put you in the limelight by setting you apart from the crowd that has that same product. You are given a stage where you can continue to exhibit your passion to thousands or millions of like-minded people who agree with the formation of your goods created.
- Your brand once showcased well, can bring like-minded people together who would love to use your product, thus broadening your consumership.
- Depending on your brand and the inspiration it can draw to your buyers. It can help motivate them and assist them to reach out high goals in their lives via the incentive of your A-rated product.
- If your brand has been able to create a good and loyal consumership, chances are they will recommend your work to others while you just continue to be in the production line.
- A strong brand will give a vision to the users on what to expect while easing the stress of the brand owner as he/she has been able to reproduce it with each production.
- If you stick to your brand. If you are loyal to your brand, chances are your consumers will also be loyal to you!
- This is your brand and your promise that you keep production after production. Thus, keeping your promise to your customers.
- Creating a brand not only helps create loyal consumers, but also helps the producer to stay focused on his/her goal of creating best product to sustain the reputation of the brand name.
- Once your feet are soaked in your brand, it will help you connect with your consumers on all levels as they have gotten used to using your name.
Aha! The importance of branding.
It helps differentiate the goods and services from other sellers while clearly delivering the message while confirming your credibility thus, creating user loyalty over time as your solid brand is motivating buyers to purchase the product.
This same fundamental applies to a serious writer who wants to succeed: branding himself to get recognition and be able to eventually sell books.
A writer has to analyze his write-ups and the subjects he is passionate to write about. He has to ponder over the kind of stories he likes to tell, narrate or serve to his readers. Eventually, that will help him attract the kind of readers that love to read such topics.
Typically genre comes first, and branding follows that. The brand has to exist within the genre the writer pens his words.
Some examples could be: Sir Arthur Conan Doyle a writer of a fictional genre, but it revolves around detective/mystery. He gave birth to Sherlock Holmes in his write ups that are still looked upon. Could brand this author as a “The detective writer.”
Nora Roberts published her first book in 1981, and since then she has not turned back. Thanks to her 594K followers she has been nicknamed by The New Yorker as, ” America’s favorite novelist.”
Although she would be branded under, “The romance writer.”
As a writer/author decides upon the theme of his book before penning it down. Have a certain topic in mind prior to penciling it down. Frame your characters and plot if planning to write fiction or a subject relevant to the theme if working on non-fiction. Climb the ladder gradually of plotting and scheming as you cling onto the topic of the book. Towards the end when you have published that work, you will be representing that particular brand.
For instance: “The ——– writer.”
The dash could fill in romantic, mysterious, inspirational, dramatic, comic, lover of life, etc.
After branding yourself; making your own website and showcase your brand by publicizing over the media.
“The adventurous writer” will be easily remembered and when searched upon, like-minded readers will be able to connect the dots via the author/writer’s website, and that would result in clicks on your book links, and voila! you have readers craving for that brand by following it with as much passion as you the writer continues to pen down words fervently.
Once a name has been established thanks to the various social media outlets, with a respectable number of readership; the chances are that along with the readers, a literary agent, and a reputed publishing house could also get drawn to your charismatic brand name.
Aha! The journey that unfolds when a writer decides upon a particular brand name! No doubt there is sweat, dedication, passion and lots of marketing involved from the writer/author.
But, in the end, it is all worth it!
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Ruchira Khanna is just another soul trying to make a difference in this lifetime by juggling between her passion and responsibilities. A Biochemist turned Writer who draws inspiration from various sources and tries to pen them down to create awareness within her and the society. She’s the author of Choices, Voyagers into the Unknown, and a children’s book, The Mystery of the Missing Iguana. Ruchira has published her latest fiction-drama novel titled, Breathing Two Worlds
available on amazon world-wide.
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Platform is a series that discusses the balance between craft and creation. It’s a writer’s sum total of visibility comprised of branding, community, credibility and target audience. An author markets product (books, blog, podcasts, workshops) from a platform. This series offers tips from experienced authors, publishers and marketers specific to all writers interested in building a platform and selling books and related products. If you have an article to share with the community of writers at Carrot Ranch, pitch to Charli Mills, Lead Buckaroo, at wordsforpeople@gmail.com.
New Territory
Carrot Ranch is entering new territory. And it’s a beautiful view!
First of all, prompts shift to Thursday (Friday for those opposite the earth clock from Mars, Utah). The November 17 prompt will be an extended one to stretch across the Thanksgiving holiday in the states. Mostly, because my daughter surprised me with getting time off from work and flying to Las Vegas from Montana. This is a woman who rarely takes time off unless it’s to raft a crazy river, go bow hunting or sailing Flathead Lake. I’m beyond thrilled!
As I informed all the ranchers who gather here, November is my NaNoRanCho planning and reflecting period. The shift to a Thursday flash fiction challenge is part of that. The deadline will continue to be the following Tuesday, which gives me a day for compiling. You might not realize it, but I give thought to the order. Sometimes I don’t see patterns and I follow a general “as submitted” order. Most times, though, interesting patterns emerge that I feel make a stronger statement in a certain order. Or sometimes I break up seriousness with unexpected humor (or the other way around). I immensely enjoy the finished collective product and want to have that extra time to shape it. The compilation will post on Wednesdays.
When the deadline day arrives for the previous flash fiction challenge, Carrot Ranch is going to use Tuesdays to be a regular profile or guest post. This space is to reflect upon the importance of literature from one writer’s perspective. A profile is a post in which I interview a writer and write the post. A guest post is one a writer writes. The theme is like a prompt: what value does literature have within the constraint of a story you want to tell (or I want to tell if I interview you). With this post-election reality, I see more than ever how important literature is to crafting empathy for other; telling the story from multiple or opposing perspectives; developing critical thinking; experiencing literary creativity; starting a dialog. I’m sure you can add to that list, and all interested in submitting or interviewing can take flexibility to include your own writing projects or books.
Coming in 2017, Mondays are for marketing tips. I’m partnering with another social media group to post brief tips to encourage the group’s writers to submit their work or build their platform. Some of you might know I have a specific idea of what a writer’s platform is: branding, community, credibility, target audience. This is based om my experience in marketing and what I’ve learned about the writing industry. I do not believe there is one way to build a platform. However, I do believe writers need to make informed decisions. My goal is to create an hub of information at Carrot Ranch to empower writers to feel confident in their marketing and platform building tactics. I will work with industry experts to post articles and I’ll introduce each post to explain which of the four components the guest is addressing. This is appropriate space for any blog tours for new books, if the author talks about his or her own platform or marketing strategies.
December will continue development of Carrot Ranch as a non-profit and our first anthology. The current Rough Writers are those who have prior material that we are including in the anthology along with exciting new works from several of our writers. Anthologies will continue to build upon the flash fiction we develop here, but they are more developed and reflective than a simple collection of what we write each week. We can grow this in many ways because it is a group effort. Sarah Brentyn has done an amazing job of developing this first one. As a non-profit, Carrot Ranch will also seek anyone committed to serve as a board director. More on that later, but be thinking about it if you are interested in being a part of a grass-roots organization that supports literary writers through flash fiction and marketing support.
Currently, I’m developing questions for my consultant who is helping me create a survey that shows what kind of platform builder an individual writer is. You can help me by asking me questions you have in regards to one of the four categories: branding, community, credibility or target audience (ask in the comments). This survey will be free for all writers and the intent is to generate a graph that shows each person his or her strengths or gaps in platform building. An e-book companion (for purchase) will then break down each component and show how a writer can either maximize strengths or bridge gaps. You’ll never be confused by a marketing post or book again once you learn to identify which component it relates to. Instead of reading books that seem at odds or discourage you as a writer, you can decide if it’s the right message or strategy for you.
So that’s my NaNoRanCho report thus far. I hope you are interested in taking part in the guest post (or interview) opportunities. I will also have a schedule for times (like this next week) where I would welcome a challenge host. You’ll get to create the prompt, write the challenge post, read and engage with participants, and compile the responses. If you are excited to be a part of the Carrot Ranch community as a rancher, email me at wordsforpeople@gmail.com. Rough Writers are selected from regular participants for each anthology and we are still at book one. Hang with us and you might be a Rough Writer in the future. You are always a rancher her at the ranch when you read, write or dialog and that’s why we say, Rough Writers & Friends. Thank you for being here!
PHOTO NOTE: This is the backside of West Temple at Zion National Park. On the other side of that sandstone feature, which is almost 8,000 feet in elevation, is Zion Canyon. It is surreal to have access to the backside of a place that attracts over 10,000 people a day in the height of season. It’s a sketchy road that climbs three layers of mesas. This flat reveals an ancient history. Stay tuned for the next flash fiction challenge.
#LinkYourLife Roundup Challenge
Welcome to the first community #LinkYourLife Roundup Challenge. The roundup is a cooperative collection of links from the “LinkYourLife community online. The challenge is open for any member of this community to host. If you would like to know more about the #LinkYourLife movement to connect and share through several online connections, see Shawna Ayoub Ainslie’s post on how “We Are Better Together.”
Connecting with other writers online in meaningful ways offers personal satisfaction and broadens your writing platform’s community reach.
The idea is that as writers we can encourage one another in our journey and form more lasting social media connections. This aligns with our purpose at Carrot Ranch. Here we are a dynamic literary community online for those practicing craft, reading stories and discussing process. We host our own flash fiction challenge each week based on a prompt and constrained by 99 words, no more, no less.
My hope is that our local writing community at Carrot Ranch will discover the #LinkYourLife movement, and that the LYL community will join us in adding to the diverse lens of literary fiction. Both places are safe environments to share one’s writing, voice and stories. Furthermore, Carrot Ranch believes in the power of literature to reach beyond what we know and experience, thus broadening our impact and influence on readers who can gain empathy and perspective through engaging fiction.
The following are blog posts, essays and articles shared by writers from the #LinkYourLife community.
Austin Hodges (@Austin_Hodgens) reflects on his favorite film to reminds us that no man is a failure who has friends. Such a man can also get help with getting the right new jacket (be sure to say how fine it looks). Austin writes:
“How can that finale not tug on your heartstrings? For a Hopeless Romantic like me, Modern Philosophers, It’s A Wonderful Life is a perfect movie.” Read more at Friends Can Make It a Wonderful Life.
Thomas Ives (@BestowingFire) shares an earlier post on the influences of harsh issues in the news that can trigger depression and anxiety. He offers positive counterpoints and writes:
“I will not let the chaos of the world stop me from bringing light into someone else’s darkness. So here are four things that can be done to create positive change.” Read more at 4Ways to Create Positive Change.
Olisha Charles (@divine_things) offers a glimpse into a romantic encounter, delicious with details. She writes:
“A raindrop splattered across my face and interrupted my thoughts as I realized in my hurry I forgot to grab my Leopard print umbrella as I ran out the door. Nevertheless that night was going to be a good night.” Read more at His Diamond in the Rough.
Shareen Mansfield (@ShareenM) publisher and creator of Open Thought Vortex (OTV) magazine, has been exploring identity in October, hosting many guest writers. She shares an essay by one of her writers, Stacia Fleegal (@ShapeShifter43):
“Hi, I’m Stacia, and I tell self-deprecating jokes when I’m profoundly uncomfortable because someone has matter-of-factly pointed out that what I thought I knew about myself, I might not really know at all, and I’m possibly in the throes of a full-fledged, trauma-induced identity crisis.” Read more at Know Thyself. Ok, But How?
Habibi Habibi (@Amina_Berg) explores the silence and solitude to connect with the self. She shares the wisdom gained with experience in getting to know herself better. She writes:
“Sadly, when you hit rock bottom at some point in life, you are faced with one enemy, yourself, in which you are forced to ‘bond’ with in order to heal, grow and persevere. “ Read more at A Misunderstood Introvert.
Meghan Sara (@MeghanSaraK) also writes at OTV. As Halloween approaches, she reflects that in the US, the presidential elections are the scariest thing happening. She doesn’t hold back on Trump and writes:
“For today’s recap, I just want to walk you through Trump’s seven big mistakes at the final Presidential debate, in escalating order of holy-shit-you-just-messed-up-ness:…” Read more at Final Debate POTUS 2016 Rocky Horror or American Horror Story :Trump.
The Rough Writers & Friends (@Charli_Mills) publish a weekly compilation based on the Carrot Ranch Flash Fiction Challenge. What stands out each week is the diversity of perspectives on a single topic. Here the writers tackle a shifting medium:
“Just as there are different beaches, you will find different stories. The following are based upon the October 12, 2016 prompt: In 99 words (no more, no less) write a story about a walk across the sand.” Read more at a Walk Across the Sand.